Tag: Alain Badiou

  • Hyperion Mallarmé

    A new issue of Hyperion, the first of a two-part issue on Mallarmé curated by guest editor Kari Hukkila, was released at the end of last year. It features new texts written expressly for this occasion, as well as the first-ever English translation of Alain Badiou’s Perroquet text from 1986, “Est-il exact que toute pensée […]