Great joy as late last night I got back to Brooklyn from Albany & found the book package in the mailbox to be a volume I have been eagerly awaiting for over a decade now. Finally, here it is:
Thanks are due to Peter Quartermain for an superb job as editor of the volume & for his brilliant introduction. Below, the description the University of California press gives, and which you can find online here:
A landmark in the publication of twentieth-century American poetry, this first volume of the long-awaited collected poetry, non-critical prose, and plays of Robert Duncan gathers all of Duncan’s books and magazine publications up to and including Letters: Poems 1953–1956. Deftly edited, it thoroughly documents the first phase of Duncan’s distinguished life in writing, making it possible to trace the poet’s development as he approaches the brilliant work of his middle period.
This volume includes the celebrated works Medieval Scenes and The Venice Poem, all of Duncan’s long unavailable major ventures into drama, his extensive “imitations” of Gertrude Stein, and the remarkable poems written in Majorca as responses to a series of collaged paste-ups by Duncan’s life-long partner, the painter Jess. Books appear in chronological order of publication, with uncollected periodical and other publications arranged chronologically, following each book. The introduction includes a biographical commentary on Duncan’s early life and works, and clears an initial path through the textual complexities of his early writing. Notes offer brief commentaries on each book and on many of the poems.
The volume to follow, The Collected Later Poetry and Plays, will include The Opening of the Field (1960), Roots and Branches (1964), Bending the Bow (1968), Ground Work (1984), and Ground Work II (1987).
The details are:
Robert DuncanThe Collected Early Poems and Plays
Robert Duncan (Author), Peter Quartermain (Editor)Available worldwide
Hardcover, 875 pagesISBN: 9780520259263December 2012$49.95, £34.95