Boulez Conducts: An Homage poem from 1974
Over the last few days I have been listening to what Boulez compositions (for ex. his Répons) I have been able to gain access too, various talks & interviews while thinking back on the many years during which he has been a major composer, conductor, thinker & writer for me. As chance would have it, an advance copy of my new collection of poems, An American Suite, to be published in March by inpatient press arrived yesterday. These are poems picked by Tamas Panitz from old sheaths of typescripts he helped me convert to e-versions two years ago. As he was doing this, he noticed poems I had published only in magazines if at all), but had never gathered in book-form. I suggested that he should put together what he thought was still useful among these works — which he did, adding an introduction & finding the publisher. Among the works in this book there is a poem recording what was my first live encounter with Boulez as a conductor at the Roundhouse in London in 1974. I’ll reproduce the poem here below as an homage.


Poasis II: Selected Poems 2000-2024
“Todesguge/Deathfugue”
“Interglacial Narrows (Poems 1915-2021)”
“Always the Many, Never the One: Conversations In-between, with Florent Toniello”
“Conversations in the Pyrenees”
“A Voice Full of Cities: The Collected Essays of Robert Kelly.” Edited by Pierre Joris & Peter Cockelbergh
“An American Suite” (Poems) —Inpatient Press
“Arabia (not so) Deserta” : Essays on Maghrebi & Mashreqi Writing & Culture
“Barzakh” (Poems 2000-2012)
“Fox-trails, -tales & -trots”
“The Agony of I.B.” — A play. Editions PHI & TNL 2016
“The Book of U / Le livre des cormorans”
“Memory Rose Into Threshold Speech: The Collected Earlier Poetry of Paul Celan”
“Paul Celan, Microliths They Are, Little Stones”
“Paul Celan: Breathturn into Timestead-The Collected Later Poetry.” Translated & with commentary by Pierre Joris. Farrar, Straus & Giroux
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[…] — selected from “old sheaths of typescripts” — have never before appeared in book-form, and some have never been published at all. According to the book’s introduction, the poems that made the cut did so for “their […]