Yesterday — 10 February — was the anniversary of the death of Stephen Jonas, as Ken Irby reminded me. (A death that came, Ken wrote, exactly one month after Olson’s in 1970). One of our major neglectorinos, Jonas was core — with John Wieners & Gerrit Lansing — to the Boston poetry scene in its heyday in the early sixties, a scene that also saw the brief but essential passage of Jack Spicer and Robin Blaser. Jonas, gay and junk addicted, was a lively & mysterious figure who told different biographical tales on different days, and was of (probable) latino, african-american, scotch-dutch, and creole origins. But before all he was a poet — by all rights a major poet of his era. I first came across his work in London in the early seventies, as his two available books at the time — Transmutations & Exercises for Ear — were published by Andrew Crozier’s Ferry Press in the U.K. Exercises especially was one of the books of poems that taught me the most — a “How to Hear (and Read)” for an age in which that new music, jazz, had become central. to any and all involvement, intellectual and sensuous, with art. As Gerrit Lansing wrote in the introduction to Exercises for Ear: “They are practice on the poet’s keyboard, or for study for study by those who aim to listen like poets to the twang of the specific.” Jonas’ most ambituous work is however probably his Orgasms/Dominations series (or open-ended sequence) which, as far as I know, has never yet been published in its entirety. Checking with Amazon this morning it would seem that his Selected Poems, edited by Joe Torra & published by Talisman House in 1994, is now out of print. Time thus for a new edition, maybe a Complete Poems?
Given his composition-by-field techniques, involving multiple indents, the work is difficult to reproduce on the web — but here is one of the small Exercises, as a teaser, followed by an extract from John Wiener’s introduction to Transmutations.
Here, from Wiener’s intro:
How long ago Steve, it was we walked along Arlington Street throwing words to the wind, Before junk, before jail before we moved to the four corners of the world. Anf you lived on Grove Street and wrote poems poems poems to the Navy, to Marshall, to Boston Common. A simple life. ….
Not sure, Aldon. From my reading the whole Jonas archive seems in an incomplete state. But the two people who certainly know more than I do on this are Joe Torra & Gerrit Lansing
Pierre, thanks for reminding us about Jonas. Reading the Exercises for the Ear series will put a tingle in your ear hole. How I would love to have those earlier editions you posted. I have the collected, but there is nothing like the original first editions. Me thinks you be a lucky man.
St Marks Poetry Project, 131 E. 10th Street, New York, NY 10003
Saturday, November 23
Poetry Reading
Tucson POG/Chax (details to be announced)
ABOUT
Pierre Joris, born in Strasbourg, France in 1946, was raised in Luxembourg. Since age 18, he has moved between Europe, the Maghreb & the US & holds both Luxembourg & American citizenship. He has published over 80 books of poetry, essays, translations & anthologies — most recently Interglacial Narrows (Poems 1915-2021) & Always the Many, Never the One: Conversations In-between, with Florent Toniello, both from Contra Mundum Press. In 2020 his two final Paul Celan translations came out: Microliths They Are, Little Stones (Posthumous prose, from CMP) & The Collected Earlier Poetry (FSG). Forthcoming are: Paul Celan’s “Todesfuge” (Small Orange Import, 2023) & Diwan of Exiles: A Pierre Joris Reader (edited with Ariel Reznikoff, 2024). For a full list see the right column on this blog.
In 2011 Litteraria Pragensia, Charles University, Prague, published Pierre Joris: Cartographies of the In-between, edited by Peter Cockelbergh, with essays on Joris’ work by, among others, Mohammed Bennis, Charles Bernstein, Nicole Brossard, Clayton Eshleman, Allen Fisher, Christine Hume, Robert Kelly, Abdelwahab Meddeb, Jennifer Moxley, Jean Portante, Carrie Noland, Alice Notley, Marjorie Perloff & Nicole Peyrafitte (2011).
Other work includes the CD Routes, not Roots (with Munir Beken, oud; Mike Bisio, bass; Ben Chadabe, percussion; Mitch Elrod, guitar; Ta’wil Productions). With Jerome Rothenberg he edited Poems for the Millennium, vol. 1 & 2: The University of California Book of Modern & Postmodern Poetry, and with Habib. Tengour Poems for the Millennium, vol. 3: The University of California Book of North African Literature.
When not on the road, he lives in Bay Ridge, Brooklyn, with his wife, multimedia praticienne Nicole Peyrafitte. A volume of their collaborative work, to be called Domopoetics, will be published in the near future.
Pierre — does anybody know what would comprise a “complete” Orgasms/Dominations?
Not sure, Aldon. From my reading the whole Jonas archive seems in an incomplete state. But the two people who certainly know more than I do on this are Joe Torra & Gerrit Lansing
Pierre, thanks for reminding us about Jonas. Reading the Exercises for the Ear series will put a tingle in your ear hole. How I would love to have those earlier editions you posted. I have the collected, but there is nothing like the original first editions. Me thinks you be a lucky man.