Srebrenica: Ten Years After
In ancient tragedy it is the hero who dies. In Srebrenica death claims the chorus. To anyone with even the slightest inkling of ancient tragedy, it will be obvious what a horrible disaster the death of the chorus must be. It represents the death of human society itself, because it means the end of the ‘ideology of the Golden Age,’ on which each and every society has based itself since antiquity. In the lethal failure of the chorus one would further have seen a clear sign that the cosmic levels of existence have been disturbed. Without the chorus it becomes impossible to indicate the extent of human freedom.
Poasis II: Selected Poems 2000-2024
“Todesguge/Deathfugue”
“Interglacial Narrows (Poems 1915-2021)”
“Always the Many, Never the One: Conversations In-between, with Florent Toniello”
“Conversations in the Pyrenees”
“A Voice Full of Cities: The Collected Essays of Robert Kelly.” Edited by Pierre Joris & Peter Cockelbergh
“An American Suite” (Poems) —Inpatient Press
“Arabia (not so) Deserta” : Essays on Maghrebi & Mashreqi Writing & Culture
“Barzakh” (Poems 2000-2012)
“Fox-trails, -tales & -trots”
“The Agony of I.B.” — A play. Editions PHI & TNL 2016
“The Book of U / Le livre des cormorans”
“Memory Rose Into Threshold Speech: The Collected Earlier Poetry of Paul Celan”
“Paul Celan, Microliths They Are, Little Stones”
“Paul Celan: Breathturn into Timestead-The Collected Later Poetry.” Translated & with commentary by Pierre Joris. Farrar, Straus & Giroux