David Bromige (1933-2009)
David Bromige
poet, scholar, gentleman
& writer, reviewer, actor, farmer, explorer, cartographer, storyteller, illustrator,piano player, driver, swimmer, traveler, brother, uncle, father, grandfather, husband, friend, mentor,
passed away this morning
he is sorely missed
Charles Bernstein posted these links where you can check out some of his work:
My Poetry (5:25) (NOTE: cut is missing about 10 seconds of the poem)
Dear Charles (1:06)
Bromige Sound Recordings at PennSound
David Bromige: In Place of a Preface
Upon Robert Duncan’s ‘My Mother Would Be A Falconress’ [given that] I’d be her falcon and ‘wear the little hood’ [then] ‘my soul would be a falcon and fly free’/ [given that] ‘my soul would be a falcon and fly free’ [then] I’d ‘wear the little hood’
In Place of a Preface
Pound’s ‘They think they’ll get through Hell in a hurry’ / ‘Hast thou found a softer nest’
Sartre’s ‘No Exit’: ‘Hell is other people’ [given that Heaven is, too]
Dostoevsky: ‘If God is dead, everything’s permitted’ / Lacan: ‘No, then nothing is permitted’
Davidson: [where] ‘can a language speak of the heart without first inventing a heart by which to speak?’
I have imagined alphabets whose words would secure a Paradise. I have heard their sentences sounded out, and felt the warmth of the speaker’s breath, until with a jolt the Impossible became its opposite. And this is why resistance became a way of life. But it did not satisfy. A poem came to be consolation, but its alphabet belonged to my enemies, who wanted me erased.
‘T, as in Tether’ a friend said to me, a long, long time ago, as a way to explain that she had to step back from frankness, now another person, in some way dear to her, had entered the room.
‘Initializing,’ ‘Establishing,’ and ‘Authenticating’ are the 3 steps whereby one logs on with the software I use. Each time, one code ‘reads’ another. These I took to be akin to the stages of relationship. ‘Authenticating’ sounded too hopeful, once I had gotten metaphorical with it, so I altered it to ‘Authenticizing,’ to rime with the first step, and also with ‘simonizing,’ etc.
In one’s craft, or sullen art — to yoke 2 quotes of Dylan Thomas — we sing in our chains, like the sea. Hear the single in the shingle, the double-you ache of the wave. ‘Mister’ W. Ache, thi onlie begetter of the ensuing. It beats ‘breaking, rocks in the hot sun.’ Poetry is the theory of heartbreak. That sentence can be rearranged so that its nouns are in any order of precedence, and still be true.
— D.B.

Poasis II: Selected Poems 2000-2024
“Todesguge/Deathfugue”
“Interglacial Narrows (Poems 1915-2021)”
“Always the Many, Never the One: Conversations In-between, with Florent Toniello”
“Conversations in the Pyrenees”
“A Voice Full of Cities: The Collected Essays of Robert Kelly.” Edited by Pierre Joris & Peter Cockelbergh
“An American Suite” (Poems) —Inpatient Press
“Arabia (not so) Deserta” : Essays on Maghrebi & Mashreqi Writing & Culture
“Barzakh” (Poems 2000-2012)
“Fox-trails, -tales & -trots”
“The Agony of I.B.” — A play. Editions PHI & TNL 2016
“The Book of U / Le livre des cormorans”
“Memory Rose Into Threshold Speech: The Collected Earlier Poetry of Paul Celan”
“Paul Celan, Microliths They Are, Little Stones”
“Paul Celan: Breathturn into Timestead-The Collected Later Poetry.” Translated & with commentary by Pierre Joris. Farrar, Straus & Giroux