Clayton Eshleman’s British Museum Notebook
AT THE BRITISH MUSEUM, 11 APRIL 2007
Mammoth Spear Thrower, Montastruc (Pyrenees)
Small enough grasped in hand
reindeer antler is mammoth
tiny in hand to hold it
spear aligned throw how
many times before it broke
useless magical tool
all that mammoth antler
eye holes filled with ochre
a dream of concentrated blood
*
Perforated Baton, La Madeleine, 13,000 B.C..
Hole in reindeer antler
What is a hole? The soul’s
early escape put your finger
through
As if this finger could wear the animal
How do we know this antler is alive?
Because a horse is emerging from it,
horse half-buried in antler
horse sleeping in bone
horse and hole
horse is hole? The soul’s
early return
heading toward western shibboleth
*
“The oldest known art of Wales, 13,000 B.C. Kenanch’s Cave, Llandudno”
Dylan Thomas jawbone
incised with zags
zigs lightning birdelopes
energy mastered
shovel incisors
this scoop
what’s left of the skull
words of a virgin spring
the spear driven into the heartsick mareloam
Thomas on the eternal rampart
signaling
blizzard bereft
*
Disc, 13,000 B.C. Montastruc (Pyrenees)
Cut from an animal blade
in soft museum light
ornament urn bitten
notched &
chevroned
microscopic
tundra scene
leaf thin thing escape
to wear it in my throat
*
Wolverine pendant, 13,000 B.C. Les Eyzies
Pendant or piece or
lightning remains, sift
of a world
orb open to
speared shoulder lifted paw
mote laughing an all
a not shimmering
faith in the sun lathe
about which a severed throat is turning
clenched & dappled
bind
*
“Oldest known work of art from England, 13,000 B.C.
Robin Hood Cave, Creswell Crags, Derbyshire
That anything old
exists
attests to erasure’s
demonic counterpoint.
Like this engraved crossed-out horse head
frailer than its anti-strokes
ah frail head no more than a chip
in the furnace of an owl
glinting keen
in life’s indeterminate cannibalizing maw
for Pierre Joris and Nicole Peyrafitte