City Lights' No Contest
The City Lights No Contest
In a recent interview with PRI’s World Books, Beauty Salon author Mario Bellatin described a writing technique called the “No Method”: “For years I tried to create for myself a method of writing that would be my own. I called it the No Method, not because it was influenced by the Japanese theatrical form of that name, but rather because it was about appending a ‘no’ to all the elements that supposedly make up literary texts. No adjectives, no dialogue, no space, no time, no omniscience, no names, and so on and so forth, until I had compiled a long list of noes. It was in that way, restricted all the way down to the most minimal aspects, that I began to see that, in a certain sense, things could be named anew.”
Our challenge to you: use Bellatin’s No Method–no adjectives, no dialogue, no space, no time, no omniscience, no names–to write a short piece of fiction (under 200 words), and send your entry to contest@citylights.com under the subject line “No Contest.” The person with the best entry will receive a free copy of Beauty Salon and a choice of four other books from our City Lights Publishers Literature in Translation list. Submissions are due no later than October 15, 2009.
The winner will be announced in our November newsletter.

Poasis II: Selected Poems 2000-2024
“Todesguge/Deathfugue”
“Interglacial Narrows (Poems 1915-2021)”
“Always the Many, Never the One: Conversations In-between, with Florent Toniello”
“Conversations in the Pyrenees”
“A Voice Full of Cities: The Collected Essays of Robert Kelly.” Edited by Pierre Joris & Peter Cockelbergh
“An American Suite” (Poems) —Inpatient Press
“Arabia (not so) Deserta” : Essays on Maghrebi & Mashreqi Writing & Culture
“Barzakh” (Poems 2000-2012)
“Fox-trails, -tales & -trots”
“The Agony of I.B.” — A play. Editions PHI & TNL 2016
“The Book of U / Le livre des cormorans”
“Memory Rose Into Threshold Speech: The Collected Earlier Poetry of Paul Celan”
“Paul Celan, Microliths They Are, Little Stones”
“Paul Celan: Breathturn into Timestead-The Collected Later Poetry.” Translated & with commentary by Pierre Joris. Farrar, Straus & Giroux