We’ve forfeited the rights to our own tragedies. As the carnage in Mumbai raged on, day after horrible day, our 24-hour news channels informed us that we were watching “India’s 9/11”. And like actors in a Bollywood rip-off of an old Hollywood film, we’re expected to play our parts and say our lines, even though we know it’s all been said and done before.
As tension in the region builds, US Senator John McCain has warned Pakistan that if it didn’t act fast to arrest the ‘Bad Guys’ he had personal information that India would launch air strikes on ‘terrorist camps’ in Pakistan and that Washington could do nothing because Mumbai was India’s 9/11.
But November isn’t September, 2008 isn’t 2001, Pakistan isn’t Afghanistan and India isn’t America.
“We die every day,” the attacker India TV spoke to said. He didn’t seem to want to change the world, just take it down with him.
So perhaps we should reclaim our tragedy and pick through the debris with our own brains and our own broken hearts so that we can arrive at our own conclusions.
It’s odd how in the last week of November thousands of people in Kashmir supervised by thousands of Indian troops
lined up to cast their vote, while the richest quarters of India’s richest city ended up looking like war-torn Kupwara—one of Kashmir’s most ravaged districts.
The Mumbai attacks are only the most recent of a spate of terrorist attacks on Indian towns and cities this year. Ahmedabad, Bangalore, Delhi, Guwahati, Jaipur and Malegaon have all seen serial bomb blasts in which hundreds of ordinary people have been killed and wounded. If the police are right about the people they have arrested as suspects, both Hindu and Muslim, all Indian nationals, it obviously means something’s going very badly wrong in this country.
If you were watching television you may not have heard that ordinary people too died in Mumbai.
They were mowed down in a busy railway station and a public hospital. The terrorists did not distinguish between poor and rich. They killed both with equal cold-bloodedness. The Indian media, however, was transfixed by the rising tide of horror that breached the glittering barricades of India Shining
Trying to pin down the provenance of a terror strike is like trying to pin down the provenance of corporate money. Almost impossible.
and spread its stench in the marbled lobbies and crystal ballrooms of two incredibly luxurious hotels and a small Jewish centre. We’re told one of these hotels is an icon of the city of Mumbai. That’s absolutely true. It’s an icon of the easy, obscene injustice that ordinary Indians endure every day. On a day when the newspapers were full of moving obituaries by beautiful people about the hotel rooms they had stayed in, the gourmet restaurants they loved (ironically, one was called Kandahar), and the staff who served them, a small box on the top left-hand corner in the inner pages of a national newspaper (sponsored by a pizza company I think) said ‘Hungry, kya?’ (Hungry eh?). It then, with the best of intentions I’m sure, informed its readers that on the international hunger index, India ranked below Sudan and Somalia. But of course this isn’t that war. That one’s still being fought in the Dalit bastis of our villages, on the banks of the Narmada and the Koel Karo rivers; in the rubber estate in Chengara; in the villages of Nandigram, Singur, Lalgarh in West Bengal; in Chhattisgarh, Jharkhand, Orissa; and the slums and shantytowns of our gigantic cities. That war isn’t on TV. Yet. So maybe, like everyone else, we should deal with the one that is.
I agree with Arundhati Roy’s assessment of what caused the recent terror attacks in Bombay and the limited options for India. I wish Salman Rushdie possessed 1% of insight as Arundhati.
St Marks Poetry Project, 131 E. 10th Street, New York, NY 10003
Saturday, November 23
Poetry Reading
Tucson POG/Chax (details to be announced)
ABOUT
Pierre Joris, born in Strasbourg, France in 1946, was raised in Luxembourg. Since age 18, he has moved between Europe, the Maghreb & the US & holds both Luxembourg & American citizenship. He has published over 80 books of poetry, essays, translations & anthologies — most recently Interglacial Narrows (Poems 1915-2021) & Always the Many, Never the One: Conversations In-between, with Florent Toniello, both from Contra Mundum Press. In 2020 his two final Paul Celan translations came out: Microliths They Are, Little Stones (Posthumous prose, from CMP) & The Collected Earlier Poetry (FSG). Forthcoming are: Paul Celan’s “Todesfuge” (Small Orange Import, 2023) & Diwan of Exiles: A Pierre Joris Reader (edited with Ariel Reznikoff, 2024). For a full list see the right column on this blog.
In 2011 Litteraria Pragensia, Charles University, Prague, published Pierre Joris: Cartographies of the In-between, edited by Peter Cockelbergh, with essays on Joris’ work by, among others, Mohammed Bennis, Charles Bernstein, Nicole Brossard, Clayton Eshleman, Allen Fisher, Christine Hume, Robert Kelly, Abdelwahab Meddeb, Jennifer Moxley, Jean Portante, Carrie Noland, Alice Notley, Marjorie Perloff & Nicole Peyrafitte (2011).
Other work includes the CD Routes, not Roots (with Munir Beken, oud; Mike Bisio, bass; Ben Chadabe, percussion; Mitch Elrod, guitar; Ta’wil Productions). With Jerome Rothenberg he edited Poems for the Millennium, vol. 1 & 2: The University of California Book of Modern & Postmodern Poetry, and with Habib. Tengour Poems for the Millennium, vol. 3: The University of California Book of North African Literature.
When not on the road, he lives in Bay Ridge, Brooklyn, with his wife, multimedia praticienne Nicole Peyrafitte. A volume of their collaborative work, to be called Domopoetics, will be published in the near future.
I agree with Arundhati Roy’s assessment of what caused the recent terror attacks in Bombay and the limited options for India. I wish Salman Rushdie possessed 1% of insight as Arundhati.