{"id":9443,"date":"2012-12-15T12:33:38","date_gmt":"2012-12-15T16:33:38","guid":{"rendered":"https:\/\/pierrejoris.com\/blog\/?p=9443"},"modified":"2012-12-15T12:33:38","modified_gmt":"2012-12-15T16:33:38","slug":"nostalgia-my-enemy","status":"publish","type":"post","link":"https:\/\/pierrejoris.com\/blog\/nostalgia-my-enemy\/","title":{"rendered":"Nostalgia, My Enemy"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2012\/12\/Saadi.jpg\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-9449 lazyload\" title=\"Saadi\" alt=\"\" data-src=\"https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2012\/12\/Saadi.jpg\" width=\"300\" height=\"300\" data-srcset=\"https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2012\/12\/Saadi.jpg 300w, https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2012\/12\/Saadi-150x150.jpg 150w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/300;\" \/><\/a>Saadi Youssef, born in 1934 in Basra, Iraq, has lived in exile for some 30 years now \u2014 currently in London, England. Mahmood Darwish has called him a major influence, saying that &#8220;Saadi Youssef, whose poetry is in dialogue with the history of popetry, is like no other Arab poet&#8230; I was enchanted by his complex simplicity in its search for the poetics of minutiae in the prose of life and for the secret relationship between the quotidian and the historical.&#8221; Youssef has published over thirty books &amp; is one of the outstanding poets of the Arab world. The present selection of poems \u2014 all written between 2002 &amp; 2009, translated from Arabic by Sinan Antoon and Peter Money &amp; published by <a href=\"http:\/\/www.graywolfpress.org\/Latest_News\/100\/\">Graywolf<\/a> \u2014 is an excellent way into his prolific late work. As Marilyn Hacker writes: &#8220;Saadi Youssef was born in Iraq, but he has become, through the vicissitudes of history and the cosmopolitan appetites of his mind, a poet, not only of the Arab world, but of the human universe.&#8221; Here is the title poem of the book:<\/p>\n<p><strong>O Nostalgia: My Enemy<br \/>\n<\/strong><\/p>\n<p>We&#8217;ve been at it for thirty years.<br \/>\nWe meet like two thieves on a journey<br \/>\nwhose details are not fully known.<br \/>\nWith every passing station<br \/>\nthe train cars decrease in number,<br \/>\nthe light grows dimmer.<br \/>\nBut your wooden seat, occupying all trains,<br \/>\nstill has its constants.<br \/>\nThe etchings of years\u2014<br \/>\nchalk drawings,<br \/>\ncameras no one remembers,<br \/>\nfaces<br \/>\nand trees that lie under dirt;<br \/>\nI took a look at you<br \/>\nfor a moment,<br \/>\nthen rushed panting to the last car<br \/>\nfar away from you.<br \/>\n\u2026<br \/>\nI said: the road is long.<br \/>\nI took out my bread and a piece of cheese from my sack.<br \/>\nI saw you eyeing me, this way<br \/>\nsharing my bread and cheese!<br \/>\nHow did you find me?<br \/>\nJump at me like a hawk?<br \/>\nListen:<br \/>\nI didn&#8217;t travel tens of thousands of miles,<br \/>\ndidn&#8217;t wander across many countries,<br \/>\ndidn&#8217;t know thousands of branches<br \/>\nso that you could come now, steal my treasure,<br \/>\nand corner me.<br \/>\nNow leave your seat and get off the train,<br \/>\nmy train will speed past this station<br \/>\n\u2014 so get off,<br \/>\nand let me go<br \/>\nwhere no train will ever stop.<\/p>\n<p style=\"text-align: right;\">11\/12\/2003<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Saadi Youssef, born in 1934 in Basra, Iraq, has lived in exile for some 30 years now \u2014 currently in London, England. Mahmood Darwish has called him a major influence, saying that &#8220;Saadi Youssef,&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,57,91,103],"tags":[1322,1321,1095],"class_list":["post-9443","post","type-post","status-publish","format-standard","hentry","category-arab-culture","category-iraq","category-poetry","category-translation","tag-peter-money","tag-saadi-youssef","tag-sinan-antoon"],"_links":{"self":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/9443","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/comments?post=9443"}],"version-history":[{"count":6,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/9443\/revisions"}],"predecessor-version":[{"id":9474,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/9443\/revisions\/9474"}],"wp:attachment":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/media?parent=9443"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/categories?post=9443"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/tags?post=9443"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}