{"id":8119,"date":"2012-04-11T18:36:39","date_gmt":"2012-04-11T22:36:39","guid":{"rendered":"https:\/\/pierrejoris.com\/blog\/?p=8119"},"modified":"2012-04-11T18:36:39","modified_gmt":"2012-04-11T22:36:39","slug":"tough-getting-into-the-good-ole-us-of-a","status":"publish","type":"post","link":"https:\/\/pierrejoris.com\/blog\/tough-getting-into-the-good-ole-us-of-a\/","title":{"rendered":"Tough Getting Into the Good Ole US of A"},"content":{"rendered":"<p style=\"text-align: justify;\">Interestingly enough, given my recent posts on Palestinian poet Ghassan Zaqtan&#8217;s unexplained non-visa to the US, this morning&#8217;s New York Times has a good piece on the problem. First paras below:<\/p>\n<blockquote>\n<h3 style=\"text-align: justify;\">U.S. Visa Rules Deprive Stages of Performers<\/h3>\n<h6 style=\"text-align: justify;\">By\u00a0<a title=\"More Articles by Larry Rohter\" href=\"http:\/\/topics.nytimes.com\/top\/reference\/timestopics\/people\/r\/larry_rohter\/index.html?inline=nyt-per\" target=\"_blank\">LARRY ROHTER<\/a><\/h6>\n<h6 style=\"text-align: justify;\">Published: April 11, 2012<\/h6>\n<div style=\"text-align: justify;\">\n<p>Everything seemed set for the American debut last month of Pitingo, the rising young flamenco singing star: the Grand Ballroom at Manhattan Center had been booked, tickets and program prepared, a publicity budget spent, nonrefundable airline tickets purchased. But when he went to the United States Embassy in Madrid to pick up his visa, he learned that his name was on the \u201cno fly\u201d list.<\/p>\n<\/div>\n<div style=\"text-align: justify;\">\n<p>Embassy officials knew that Pitingo, whose real name is Antonio Manuel \u00c1lvarez V\u00e9lez, is not a terrorist, and that the real target was someone else who shared his very common name. But procedures are procedures, and by the time the confusion was sorted out it was too late for Pitingo to fly to New York, and his concert had to be canceled. His management and the concert promoters incurred losses of nearly $25,000.<\/p>\n<p>The case of Mr. \u00c1lvarez is not an isolated one. In the decade since the attacks on the twin towers, American visa procedures for foreign artists and performers have grown increasingly labyrinthine, expensive and arbitrary, arts presenters and immigration lawyers say, making the system a serious impediment to cultural exchanges with the rest of the world.<\/p>\n<p>Some foreign performers and ensembles, like the Hall\u00e9 orchestra from Britain, have decided that it is no longer worth their while to play in the United States. Others have been turned down flat, including a pair of bands invited to perform at the South by Southwest festival in Austin, Tex., last month, or have ended up canceling performances because of processing delays, as was the case last month with the Tantehorse theater troupe from the Czech Republic, which was booked to perform in suburban Washington.<\/p>\n<p>Overall, according to Homeland Security Department records, requests for the standard foreign performer\u2019s visa declined by almost 25 percent between 2006 and 2010, the most recent fiscal year for which statistics are available. During the same period the number of these visa petitions rejected, though small in absolute numbers, rose by more than two-thirds.<\/p>\n<\/div>\n<p style=\"text-align: justify;\">ctd.\u00a0<a href=\"http:\/\/www.nytimes.com\/2012\/04\/11\/arts\/us-visa-rules-frustrate-foreign-performers.html?_r=2&amp;hp\">here<\/a>.<\/p>\n<p style=\"text-align: justify;\">\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Interestingly enough, given my recent posts on Palestinian poet Ghassan Zaqtan&#8217;s unexplained non-visa to the US, this morning&#8217;s New York Times has a good piece on the problem. First paras below: U.S. Visa Rules&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[104],"tags":[],"class_list":["post-8119","post","type-post","status-publish","format-standard","hentry","category-travel"],"_links":{"self":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/8119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/comments?post=8119"}],"version-history":[{"count":4,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/8119\/revisions"}],"predecessor-version":[{"id":8123,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/8119\/revisions\/8123"}],"wp:attachment":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/media?parent=8119"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/categories?post=8119"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/tags?post=8119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}