{"id":8023,"date":"2012-03-30T19:55:08","date_gmt":"2012-03-30T23:55:08","guid":{"rendered":"https:\/\/pierrejoris.com\/blog\/?p=8023"},"modified":"2012-03-30T19:55:08","modified_gmt":"2012-03-30T23:55:08","slug":"karl-may-1842-1912","status":"publish","type":"post","link":"https:\/\/pierrejoris.com\/blog\/karl-may-1842-1912\/","title":{"rendered":"Karl May (1842-1912)"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2012\/03\/220px-May-Old_Shatterhand.jpg\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-8026 lazyload\" title=\"220px-May-Old_Shatterhand\" data-src=\"https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2012\/03\/220px-May-Old_Shatterhand.jpg\" alt=\"\" width=\"220\" height=\"354\" data-srcset=\"https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2012\/03\/220px-May-Old_Shatterhand.jpg 220w, https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2012\/03\/220px-May-Old_Shatterhand-186x300.jpg 186w\" data-sizes=\"(max-width: 220px) 100vw, 220px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 220px; --smush-placeholder-aspect-ratio: 220\/354;\" \/><\/a>Today one hundred years ago the German novelist Karl May died. The importance of his work for any\u00a0German-language\u00a0adolescent growing up in the 20C \u00a0was enormous\u00a0(at\u00a0least\u00a0until the sixties\/seventies when a series of bad movies ruined the imaginative hold the novels had). For me, young Luxembourgian sofa-bound reader, the 72 volumes of the &#8220;travel tales&#8221; represented the first truly nomadic moves \u2014 even if these happened as yet only in my head. Later I would voyage along several of the dotted lines that informed the maps his books printed as front &amp; end-papers, from the Chott el Djerid between Algeria &amp; Tunisia to Yuma, Arizona. In the early eighties, when based in South London, I wrote a poem called WINNETOU OLD (named after May&#8217;s most famous hero, the Mescalero Apache chief Winnetou). Permit me to post a couple stanzas from the poem (though some of spacing can&#8217;t be reproduced here) as well as Nicole Peyrafitte&#8217;s great cover for the book (The poems were first published in <em>Sulfur<\/em> magazine, &amp; then as a chapbook from Meow Press).\u00a0Tonight\u00a0I&#8217;ll fall asleep while rereading one of his early novels set in present day Syria &amp; Turkey, a free download on my iPad. In German \u2014 the few English language translations in existence are not worth checking out, I believe, as the magic of the foreign realms of the Wild West where Old Shatterhand, Hadji Halef Omar &amp; Winnetou met, seem to \u00a0lose all magic in translation. Strange but true. If you can, do however try to see \u00a0Hans-J\u00fcrgen\u00a0Syderberg&#8217;s film<em> &#8220;Karl May,&#8221;\u00a0<\/em>a superb meditation on the man &amp; writer.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2012\/03\/Winnetou-Old-Cover-e1333149424431.jpg\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-8027 lazyload\" title=\"Winnetou Old Cover\" data-src=\"https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2012\/03\/Winnetou-Old-Cover-e1333149424431.jpg\" alt=\"\" width=\"460\" height=\"460\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 460px; --smush-placeholder-aspect-ratio: 460\/460;\" \/><\/a><\/p>\n<p style=\"text-align: center;\">\nfrom WINNETOU OLD<br \/>\n***<\/p>\n<p style=\"text-align: center;\">staccato stasis &nbsp;&nbsp;&nbsp;howl this alphabet<br \/>\ngo away &nbsp;&nbsp;&nbsp;don&#8217;t hurl this relapse into bone again<br \/>\nno gain this stone-monkey Europe &nbsp;&nbsp;&nbsp;post no inter-<br \/>\nglacial basin &nbsp;&nbsp;&nbsp;from its dead foam no Aphrodite&nbsp;&nbsp;&nbsp; no<br \/>\nfat-assed goddess &nbsp;&nbsp;&nbsp;kalypigian woman scraggy pigeons of<br \/>\nParis Rome London Berlin &nbsp;&nbsp;&nbsp;carriers of Krakow diseases<br \/>\nkill the messengers from Budapest &nbsp;&nbsp;&nbsp;the plague is<br \/>\nno turbulence<\/p>\n<p style=\"text-align: center;\">breath &nbsp;&nbsp;&nbsp;learn how to breathe&nbsp;&nbsp;&nbsp; with eyes<br \/>\nclosed&nbsp;&nbsp;&nbsp; break now the slippery line &nbsp;&nbsp;&nbsp;carry on Winnetou<br \/>\nold now &nbsp;&nbsp;&nbsp;called Taranta in the vision<br \/>\n a clearing a one-room school-house<br \/>\npart Swiss chalet &nbsp;&nbsp;&nbsp;part frontier log cabin<br \/>\npart greek temple &nbsp;&nbsp;&nbsp;an old mescalero apache &nbsp;&nbsp;&nbsp;in rags of white<br \/>\nhair &nbsp;&nbsp;&nbsp;with a ball of light yarn&nbsp;&nbsp;&nbsp; in his right hand<br \/>\nitschli dead &nbsp;&nbsp;&nbsp;he walks in rubber Good Year sandals the<br \/>\nlight yarn ball raised &nbsp;&nbsp;&nbsp;his hand raised&nbsp;&nbsp;&nbsp; all salutes<br \/>\nresemble each other<\/p>\n<p style=\"text-align: center;\">IBM staccato rage &nbsp;&nbsp;&nbsp;make it flow &nbsp;&nbsp;&nbsp;blood not<br \/>\nI-slash &nbsp;&nbsp;&nbsp;make it over again into daily sashimi &nbsp;&nbsp;&nbsp;cut from<br \/>\nbetween your ribs&nbsp;&nbsp;&nbsp; toro of belly &nbsp;&nbsp;&nbsp;toro of Gloucester<br \/>\nmake merry haha &nbsp;&nbsp;&nbsp;only through power can we churn the<br \/>\nyourappian mind &nbsp;&nbsp;&nbsp;around &amp; around here come &nbsp;&nbsp;&nbsp;aus Deutschland<br \/>\nthat battering figure of&nbsp;&nbsp;&nbsp; bone-monkey &nbsp;&nbsp;&nbsp;break the ice<br \/>\nreclaim use of bone &nbsp;&nbsp;&nbsp;subarctic steppes &nbsp;&nbsp;&nbsp;double-sealed in<br \/>\nDeutschland &nbsp;&nbsp;&nbsp;aus Deutschland &nbsp;&nbsp;&nbsp;ein W\u00fcrfel Stroh ein Nichts<br \/>\naus Erde &nbsp;&nbsp;&nbsp;metal-blue Aries&nbsp;&nbsp;&nbsp; comes across a milled universe<br \/>\nUniversum f\u00fcr junge Menschen &nbsp;&nbsp;&nbsp;comes across the heart-bunker<br \/>\nlimits of any city &nbsp;&nbsp;&nbsp;retrace the subway steppes in strong<br \/>\nIndian ink &nbsp;&nbsp;&nbsp;all alone with Winnetou &nbsp;&nbsp;&nbsp;old Tamburlaine<br \/>\nTurbulence dead already &nbsp;&nbsp;&nbsp;amazing names more than fishwives<br \/>\ncaretakers of the world<\/p>\n<p style=\"text-align: center;\">sound gethsemanes &nbsp;&nbsp;&nbsp;spell through hell&#8217;s<br \/>\nlandscapes&nbsp;&nbsp;&nbsp; a cardiovascular ease &nbsp;&nbsp;&nbsp;a momentary you wakes<br \/>\na sentence &nbsp;&nbsp;&nbsp;now another night lifts&nbsp;&nbsp;&nbsp; off the rooftops in<br \/>\nanger its load&nbsp;&nbsp;&nbsp; a cynical series of &nbsp;&nbsp;&nbsp;political nightmares<br \/>\nyou turned your back&nbsp;&nbsp;&nbsp; accused me of lack of romanticism<br \/>\nthe fragrance of passion&nbsp;&nbsp;&nbsp; the smell of death &nbsp;&nbsp;&nbsp;hides behind<br \/>\nthe fragrance of new sheets&nbsp;&nbsp;&nbsp; bone gags anger that narrow<br \/>\nmood &nbsp;&nbsp;&nbsp;ram&#8217;s head hurtling &nbsp;&nbsp;&nbsp;pike&#8217;s mouth gasping water<br \/>\nshoots &nbsp;&nbsp;&nbsp;an old turbulence comes riding<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2012\/03\/Winnetou-Old-Cover-1-e1333150678913.jpeg\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-8033 lazyload\" title=\"Winnetou Old Cover 1\" data-src=\"https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2012\/03\/Winnetou-Old-Cover-1-e1333150678913.jpeg\" alt=\"\" width=\"480\" height=\"477\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 480px; --smush-placeholder-aspect-ratio: 480\/477;\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Today one hundred years ago the German novelist Karl May died. The importance of his work for any\u00a0German-language\u00a0adolescent growing up in the 20C \u00a0was enormous\u00a0(at\u00a0least\u00a0until the sixties\/seventies when a series of bad movies ruined&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[82,96,97,1],"tags":[1188,1189],"class_list":["post-8023","post","type-post","status-publish","format-standard","hentry","category-passings","category-prose","category-reading","category-uncategorized","tag-karl-may","tag-winnetou"],"_links":{"self":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/8023","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/comments?post=8023"}],"version-history":[{"count":18,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/8023\/revisions"}],"predecessor-version":[{"id":8045,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/8023\/revisions\/8045"}],"wp:attachment":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/media?parent=8023"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/categories?post=8023"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/tags?post=8023"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}