{"id":7483,"date":"2011-12-21T11:20:55","date_gmt":"2011-12-21T15:20:55","guid":{"rendered":"https:\/\/pierrejoris.com\/blog\/?p=7483"},"modified":"2011-12-21T11:20:55","modified_gmt":"2011-12-21T15:20:55","slug":"missing-from-dove-anthology","status":"publish","type":"post","link":"https:\/\/pierrejoris.com\/blog\/missing-from-dove-anthology\/","title":{"rendered":"Missing from Dove Anthology"},"content":{"rendered":"<p style=\"text-align: justify;\">Clayton Eshleman sent the following list of important 20th century\u00a0American\u00a0poets missing from the recent Rita Dove edited <strong>Penguin Anthology of Twentieth Century American Poetry<\/strong>. As I know very well for having committed a few anthologies myself, exclusions are not only inevitable but also necessary: it is often who the editor leaves out that says more about where the editor is coming from or heading toward than the simple list of inclusions. Now, the Dove anthology clearly does not represent my vision of what was important in 20th century American poetry: to begin with the title, Dove&#8217;s label is misleading in that what she is talking about is, well, United Sates poetry \u2014 \u00a0the definition of the book as &#8220;American&#8221; is problematic, even if &amp; maybe exactly because one or two non-United-Statlers sneak into her TOC (and maybe\u00a0paradoxically\u00a0also because of the laudable effort Dove does make of including a range of non-white poets, men and women.) On the other hand I nearly feel the need to defend Dove when that old Harvard critical warhorse, Helen Vendler, comes out in the <a href=\"http:\/\/www.nybooks.com\/articles\/archives\/2011\/nov\/24\/are-these-poems-remember\/?pagination=false\">NYRB<\/a> &amp; damns her (in words very similar to the ones she used 30 years ago to damn the Rothenberg &amp; Quasha <em>America a Prophecy<\/em> anthology \u2014 see Charles Bernstein&#8217;s blog <a href=\"http:\/\/jacket2.org\/commentary\/helen-vendler-america-prophecy-ed-rothenberg-quasha-rothenbergs-reply\">here<\/a>) as in the traditional reactionary New England vision of things \u00a0&#8220;no century in the evolution of poetry in English ever had 175 poets worth reading,&#8221; i.e. 4 or 5 white males with a token white female &amp; \u00a0one or tow non-whites thrown in for good measure is quite enough to make up a canon&#8230;\u00a0 Here then a few exclusions in no particular order (Plath &amp; Ginsberg, according to Dove, were too expensive for Penguin to include), first Clayton&#8217;s list &amp; then a short addendum list that came to mind as I typed in CE&#8217;s:<\/p>\n<p style=\"text-align: center;\"><strong>Louis Zukofsky<\/strong><br \/>\n<strong>George Oppen<\/strong><br \/>\n<strong>Charles Reznikoff <\/strong><br \/>\n<strong>Carl Rakosi<\/strong><br \/>\n<strong>Laura Riding <\/strong><br \/>\n<strong>Mina Loy<\/strong><br \/>\n<strong>William Bronk<\/strong><br \/>\n<strong>Paul Blackburn<\/strong><br \/>\n<strong>Allen Ginsberg<\/strong><br \/>\n<strong>Larry Eigner<\/strong><br \/>\n<strong>Edward Dorn<\/strong><br \/>\n<strong>Jack Kerouac<\/strong><br \/>\n<strong>Lorine Niedecker<\/strong><br \/>\n<strong>Jackson Mac Low<\/strong><br \/>\n<strong>Jack Spicer<\/strong><br \/>\n<strong>Sylvia Plath<\/strong><br \/>\n<strong>Robin Blaser<\/strong><br \/>\n<strong>Charles Bernstein<\/strong><br \/>\n<strong>Armand Schwerner<\/strong><br \/>\n<strong>Philip Lamantia <\/strong><br \/>\n<strong>Michael McClure<\/strong><br \/>\n<strong>Philip Whalen<\/strong><br \/>\n<strong>Cid Corman <\/strong><br \/>\n<strong>Barbara Guest<\/strong><br \/>\n<strong>James Schuyler <\/strong><br \/>\n<strong>Ron Padgett <\/strong><br \/>\n<strong>Tony Towle <\/strong><br \/>\n<strong>Charles North<\/strong><br \/>\n<strong>Jerome Rothenberg <\/strong><br \/>\n<strong>Robert Kelly <\/strong><br \/>\n<strong>Clayton Eshleman<\/strong><br \/>\n<strong>David Antin<\/strong><br \/>\n<strong>Gerrit Lansing <\/strong><br \/>\n<strong>Bob Perelman <\/strong><br \/>\n<strong>Rae Armantrout <\/strong><br \/>\n<strong>Rachel Blau DuPlessis <\/strong><br \/>\n<strong>John Wieners <\/strong><br \/>\n<strong>Nathaniel Tarn <\/strong><br \/>\n<strong>Clark Coolidge <\/strong><br \/>\n<strong>Gustaf Sobin <\/strong><br \/>\n<strong>Edward Sanders <\/strong><br \/>\n<strong>John Taggert <\/strong><br \/>\n<strong>David Bromige <\/strong><br \/>\n<strong>Jayne Cortez<\/strong><br \/>\n<strong>Fanny Howe <\/strong><br \/>\n<strong>Susan Howe<\/strong><br \/>\n<strong>Keith Waldrop <\/strong><br \/>\n<strong>Rosmarie Waldrop<\/strong><br \/>\n<strong>Judy Grahn <\/strong><br \/>\n<strong>August Kleinzahler <\/strong><br \/>\n<strong>Anne Waldman <\/strong><br \/>\n<strong>Kenneth Rexroth <\/strong><br \/>\n<strong>Andrew Joron <\/strong><br \/>\n<strong>Forrest Gander<\/strong><br \/>\n<strong>Will Alexander <\/strong><br \/>\n<strong>Diane DiPrima<\/strong><br \/>\n<strong>Alice Notley <\/strong><br \/>\n<strong>Elaine Equi<br \/>\nThom Gunn<br \/>\nWilliam Everson<br \/>\nBrenda Hillman<br \/>\n<\/strong><strong>Linh Dinh<br \/>\nJohn Olson<br \/>\nAnselm Hollo<br \/>\nMei-Mei Berssenbrugge<br \/>\nCarla Harryman<br \/>\nDavid Shapiro<br \/>\nLeslie Scalapino\u00a0<\/strong><\/p>\n<p style=\"text-align: left;\">&amp; a few more instantly come to mind:<\/p>\n<p style=\"text-align: center;\"><strong>Thomas Meyer<br \/>\nBernadette Mayer<br \/>\nLewis Warsh<br \/>\nKenneth Irby<br \/>\nTheodore Enslin<br \/>\n<\/strong><strong>Jack Collom<br \/>\n<\/strong><strong>David Meltzer<br \/>\nCole Swenson<br \/>\nJoanne Kyger<br \/>\nLew Welsh<br \/>\nBob Kaufman<br \/>\nEdwin Torres<br \/>\n<\/strong><strong>Jonathan Williams<br \/>\nTom Clark<br \/>\nDick Higgins<br \/>\ncari edwards<br \/>\nFrank Samperi<br \/>\nJoel Oppenheimer\u00a0<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>\u00a0<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Clayton Eshleman sent the following list of important 20th century\u00a0American\u00a0poets missing from the recent Rita Dove edited Penguin Anthology of Twentieth Century American Poetry. As I know very well for having committed a few&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,830,1],"tags":[],"class_list":["post-7483","post","type-post","status-publish","format-standard","hentry","category-anthology","category-poet","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/7483","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/comments?post=7483"}],"version-history":[{"count":8,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/7483\/revisions"}],"predecessor-version":[{"id":7516,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/7483\/revisions\/7516"}],"wp:attachment":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/media?parent=7483"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/categories?post=7483"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/tags?post=7483"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}