{"id":6753,"date":"2011-09-02T09:01:05","date_gmt":"2011-09-02T13:01:05","guid":{"rendered":"https:\/\/pierrejoris.com\/blog\/?p=6753"},"modified":"2011-09-02T09:04:00","modified_gmt":"2011-09-02T13:04:00","slug":"weekend-reading","status":"publish","type":"post","link":"https:\/\/pierrejoris.com\/blog\/weekend-reading\/","title":{"rendered":"Weekend Reading: Rexroth, C\u00e9saire & Collage"},"content":{"rendered":"

With the summer all but gone, the Maghrebi anthology all but done, the first week of teaching behind me, & a long weekend ahead, there may even be time to get some leisurely reading done. Returning to Brooklyn after 3 months on the road, I found a trove of books that had arrived or that I hadn\u2019t gotten to in the spring. Below, a few of these (more over the next few days), though for an early morning first cup of coffee treat, mosey over to Jerry Rothenberg\u2019s Poems & Poetics<\/a> blog, & check out his & David Antin\u2019s late fifties interview with Kenneth Rexroth, here<\/a>, the first installment, here<\/a>, the second.<\/p>\n

Trying to get slightly ahead with the work schedule (a patent impossibility), I remembered that on 6 October I\u2019ll be part of an evening celebrating Aim\u00e9 C\u00e9saire \u2014 & the publication by Wesleyan UP of the unexpurgated 1948 edition of his Solar Throat Slashed<\/em>, translated & edited by A. James Arnold & Clayton Eshleman \u2014 at the New York State Writers Institute in Albany. Buy it here<\/a>. (More details when the time comes). As the editor\/translators write: \u201cThe original 1948 edition\u2026 has a dense magic-religious frame of reference. In the late 50s, C\u00e9saire was increasingly politically focused and seeking a wider audience, when he in effect gelded the 1948 text \u2014 eliminating 31 of the 72 poems, and editing another 29.\u201d This edition restores the texts of the original for the first time in English translation (& in a bilingual presentation). We can only be grateful to Arnold & Eshleman for this excavation, & what they have brought to the light of day is no old mummy, but a very live text, as witness the opening of the poem \u201cDelicacy of a Mummy\u201d:<\/p>\n

I embalmed my severed head in a very thin skin
\nwhose power of absorption would need to be calculated
\nworms? thread? swaddling clothes? at the other end ice floes of angels
\nLook I am so smooth you would think nobody had ever looked at me
\nof course I escaped the dogs
\nwas that for nought
\nthere are sirens that sound the call of cities
\nmen who do not wait for the sappers of nothingness
\nand bewildered priests who laugh quietly
\n(\u2026)<\/p><\/blockquote>\n

\"\"<\/a><\/p>\n

On a more theoretical level, I was very pleased to find my copies of Cutting Across Media: Appropriation Art, Interventionist Collage and Copyright Law<\/em>, edited by Kembrew McLeod & Rudolf Kuenzli, & published by Duke University Press (buy here<\/a>) \u2014 which represents the revised papers given at a conference on collage at the University of Iowa in 2005. Besides the editors, the volume features essays by, among others, Marcus Boon (\u201cDigital Mana: On the Source of the Infinite Proliferation of Mutant Copies in Contemporary Culture\u201d), Carrie McLaren (\u201cCopyrights and Copywrongs\u201d), David Tetzlaff (\u201cDas Plagiierenwerk: Convolute Uii\u201d), Joshua Clover (\u201cAmbiguity and Theft\u201d), Lorraine Morales Cox (\u201cCultural Sampling and Social Critique: The Collage Aesthetic of Chris Ofili\u201d), Jonathan Letham (\u201cThe Ecstasy of Influence: A Plagiarism\u201d), and my own \u201cOn the Seamlessly Nomadic Nature of Collage.\u201d<\/p>\n

\"\"<\/a>Enjoy! & have a great labor Day (though I do think that any celebration of Labor would happen on 1st May, not in early September.<\/p>\n

\n","protected":false},"excerpt":{"rendered":"

With the summer all but gone, the Maghrebi anthology all but done, the first week of teaching behind me, & a long weekend ahead, there may even be time to get some leisurely reading...<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,42,90,91,103],"tags":[1044,132,250,433,1045,1047,1046],"class_list":["post-6753","post","type-post","status-publish","format-standard","hentry","category-book-reviews","category-essays","category-poetics","category-poetry","category-translation","tag-a-james-arnold","tag-aime-cesaire","tag-clayton-eshleman","tag-jerome-rothenberg","tag-kembrew-mcleod","tag-kenneth-rexroth","tag-rudolf-kuenzli"],"_links":{"self":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/6753","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/comments?post=6753"}],"version-history":[{"count":9,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/6753\/revisions"}],"predecessor-version":[{"id":6762,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/6753\/revisions\/6762"}],"wp:attachment":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/media?parent=6753"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/categories?post=6753"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/tags?post=6753"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}