{"id":63,"date":"2005-08-06T09:29:00","date_gmt":"2005-08-06T17:29:00","guid":{"rendered":"https:\/\/pierrejoris.com\/blog\/?p=63"},"modified":"2005-08-06T09:29:00","modified_gmt":"2005-08-06T17:29:00","slug":"dying","status":"publish","type":"post","link":"https:\/\/pierrejoris.com\/blog\/dying\/","title":{"rendered":"Dying"},"content":{"rendered":"<p>For today, a poem by T\u00f6ge Sankichi (1912-1953) from the book <span style=\"font-style: italic;\">Poems of the Atomic Bomb<\/span>, to commemorate the 60th anniversary of the nuclear destruction of Hiroshima, reprinted here from Jerome Rothenberg &#038; Pierre Joris&#8217; anthology <span style=\"font-style: italic;\">Poems for the Millennium, vol. 2<\/span>:<\/p>\n<blockquote>\n<div style=\"text-align: justify;\"><span style=\"font-style: italic;\">On the morning of August 6, 1945, at home in a part of town more than three kilometers from Ground Zero, I was just about to set out for downtown Hiroshima when the bomb fell, and I escaped merely with cuts from splinters of glass and with atomic bomb sickness&#8230; Today everyone knows that at Hiroshima about 300,000 people were killed in the blast of a single atomic bomb. And at Nagasaki, 100,000 or so.<\/span><\/div>\n<p><span style=\"font-weight: bold;\">Dying<\/span><\/p>\n<p>!<br \/>Loud in my ear: screams.<br \/>Soundlessly welling up,<br \/>pouncing on me:<br \/>space, all upside-down.<br \/>Hanging, fluttering clouds of dust<br \/>smelling of smoke,<br \/>and, running madly about, figures.<br \/>&#8220;Ah,<br \/>get out<br \/>of here!&#8221;<br \/>Scattering fragments of brick,<br \/>I spring to my feet;<br \/>my body&#8217;s<br \/>on fire.<br \/>The hot blast<br \/>that blew me down from behind<br \/>set sleeves, shoulders<br \/>on fire.<br \/>Amid the smoke I grab<br \/>a corner of the cement water tank;<br \/>my head \u2014<br \/>already in.<br \/>The clothes I splash water on<br \/>burn, drop off:<br \/>gone.<br \/>Wires, boards, nails, glass,<br \/>a rippling wall of tiles.<br \/>Fingerrnails burn:<br \/>heels\u2014gone;<br \/>plastered to my back: a sheet of molten lead.<br \/>&#8220;Owww!&#8221;<br \/>Flames already<br \/>blacken;<br \/>telephone poles, walls, too.<br \/>Eddies<br \/>of flame and smoke<br \/>blow down on my broken head.<br \/>&#8220;Hiro-chan! Hiro-chan!&#8221;<br \/>Press hand to breast:<br \/>ah\u2014a bloody cotton hole.<br \/>Fallen, I cry\u2014<br \/>Child! Child! Child! Where are you?<br \/>Amid the smoke that crawls along the ground\u2014<br \/>where could they have come from?\u2014<br \/>hand in hand<br \/>round and round as in a <span style=\"font-style: italic;\">bon<\/span> dance,<br \/>naked girls:<br \/>one falls, all fall.<br \/>From under tiles,<br \/>someone else&#8217;s shoulder:<br \/>a hairless old woman,<br \/>driven up by the heat,<br \/>writhing, crying shrilly.<br \/>Besides the road where flames already flicker,<br \/>stomachs distended like great drums,<br \/>even their lips torn off:<br \/>lumps of red flesh.<br \/>A hand that grabs my ankle<br \/>splips off, peels off.<br \/>Am eyeball that pleads at my feet.<br \/>A head boiled white.<br \/>Hair, brain matter my hand presses down on.<br \/>Steamy smoke; fiery air that rushes at me.<br \/>Amid the darkness of flying sparks:<br \/>children&#8217;s eyes, the color of gold.<br \/>Burning body,<br \/>scalding throat;<br \/>arm<br \/>that suddenly collapses:<br \/>shoulder<br \/>that sinks into the ground.<br \/>Oh, I can go<br \/>no farther.<br \/>In the lonely dark,<br \/>the thunder in my ears suddenly fades.<br \/>Ah!<br \/>Why?<br \/>Why here<br \/>by the side of the road<br \/>cut off, dear, from you;<br \/>why<br \/>must<br \/>I<br \/>die<br \/>?<\/p>\n<p> <span style=\"font-size:85%;\">   [translation from the Japanese by Richard Minear]<\/span><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>For today, a poem by T\u00f6ge Sankichi (1912-1953) from the book Poems of the Atomic Bomb, to commemorate the 60th anniversary of the nuclear destruction of Hiroshima, reprinted here from Jerome Rothenberg &#038; Pierre&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-63","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/63","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/comments?post=63"}],"version-history":[{"count":0,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/63\/revisions"}],"wp:attachment":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/media?parent=63"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/categories?post=63"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/tags?post=63"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}