The Putterer\u2019s Notebook<\/em>)<\/p>\n <\/p>\n
We have just learned that our beloved friend, poet, teacher, performer, activist, mother, sister, Akilah Oliver passed away in her home in the Fort Greene section of Brooklyn, N.Y.<\/p>\n
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Akilah Oliver was born in 1961 in Los Angeles. In the 1990s she founded and performed with the feminist performance collective Sacred Naked Nature Girls. For several years, Akilah lived in Boulder, Colorado, where she raised her son Oluchi McDonald (1982\u20132003) and taught at Naropa University\u2019s Jack Kerouac School of Disembodied Poetics.\u00a0 Recently, in New York City, Akilah taught poetry and writing at The New School, Pratt Institute and The Poetry Project.\u00a0 She was a PhD candidate at The European Graduate School and a member of the Belladonna* Collaborative.<\/p>\n
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Akilah Oliver\u2019s books include A Toast In The House of Friends<\/em> (Coffee House, 2009), the she said dialogues: flesh memory, <\/em>which received the PEN Beyond Margins Award, and the chapbooks An Arriving Guard of Angels, Thusly Coming to Greet<\/em> (Farfalla, McMillan & Parrish, 2004), The Putterer\u2019s Notebook<\/em> (Belladonna 2006), \u201ca(A)ugust\u201d (Yo-Yo Labs, 2007) and A Collection of Objects <\/em>(Tente, 2010). She read and performed her work as a solo artist throughout the United States and collaborated with a variety of artists and musicians, including Tyler Burba, Anne Waldman and Rasul Siddik. She was an artist-in-residence at Beyond Baroque Literary Arts Center in Los Angeles, a curator of the Poetry Project\u2019s Monday Night Reading Series, and received grants from the California Arts Council, The Flintridge Foundation and the Rockefeller Foundation. Among her many projects, she was writing a book-length theory of lamentation.<\/p>\n <\/p>\n
We feel this loss deeply, in all the communities where Akilah shared her energy, strength, life, wisdom and spirit. Information about services and memorial will be forthcoming.<\/p>\n
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<\/p>\n","protected":false},"excerpt":{"rendered":"
Akilah Oliver (1961-2011) The ceremony of sorrow is performed with a measured, defiant acknowledgement that makes words charms, talismen of the fallen world. Poetry is a holding space, a folded grace, in which objects...<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[76],"tags":[962],"class_list":["post-6099","post","type-post","status-publish","format-standard","hentry","category-obituaries","tag-akilah-oliver"],"_links":{"self":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/6099","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/comments?post=6099"}],"version-history":[{"count":3,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/6099\/revisions"}],"predecessor-version":[{"id":6103,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/6099\/revisions\/6103"}],"wp:attachment":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/media?parent=6099"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/categories?post=6099"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/tags?post=6099"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"\"](\"https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2011\/02\/AkilahOliver.jpg\" "\\"AkilahOliver\\"")
<\/a>Akilah Oliver<\/strong>