{"id":55,"date":"2005-07-29T05:38:00","date_gmt":"2005-07-29T13:38:00","guid":{"rendered":"https:\/\/pierrejoris.com\/blog\/?p=55"},"modified":"2005-07-29T05:38:00","modified_gmt":"2005-07-29T13:38:00","slug":"state-of-siege","status":"publish","type":"post","link":"https:\/\/pierrejoris.com\/blog\/state-of-siege\/","title":{"rendered":"State of Siege"},"content":{"rendered":"<p><\/p>\n<div style=\"text-align: right;\"><a href=\"http:\/\/www.fotoflix.com\/users\/pjoris\/foto\/48430\/\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/www.fotoflix.com\/foto?key=46144317dcba46b437249244f8cef33a&#038;size=400x300\" border=\"0\" \/><\/a><\/div>\n<p><\/p>\n<div style=\"text-align: justify;\">It is, I believe, worth reminding us every so often of the scandal the major lack of translations of poetry (&#038; other literary writing) in the US represents. This lack, I have noticed over the years, is especially glaring when it comes to contemporary Arab literature. So one of the first things I do when I get to Europe is to hit my favorite bookstore (Toulouse&#8217;s <a href=\"http:\/\/www.ombres-blanches.fr\/\">Ombres Blanches<\/a>, better than any Paris bookshop at this point) &amp; to check what&#8217;s been published in translation from Arabic.  I am usually able to pick up (besides a number of Maghrebian books) one new book, or even two, a year by the Palestinian poet Mahmood Darwish (who may in fact be one of the least sparingly translated into English, given his status as a major star). This year it is a poem called <span style=\"font-style: italic;\">Hal\u00e2t bis\u00e2r<\/span> in Arabic and <a href=\"http:\/\/mahmoud-darwich.chez.tiscali.fr\/etat_siege.html\"><span style=\"font-style: italic;\">Etat de Si\u00e8ge<\/span><\/a> (<span style=\"font-style: italic;\">State of Siege<\/span>) in Elias Sanbar&#8217;s French translation. It is a 90-page work composed of fragments written while Darwish was holed up \u2014 confined, more accurately \u2014 in Ramallah during January of 2002. Here are a couple of these fragments, quickly \u2014 all too quickly \u2014 translated from the French version:<\/p>\n<div style=\"text-align: right;\">* * *<\/p>\n<p>at death&#8217;s threshold, he said:<br \/>I got nothing left to lose.<br \/>I&#8217;m free next to my freedom<br \/>and my tomorrow is in my hand&#8230;<br \/>soon I&#8217;ll enter my life,<br \/>I&#8217;ll be born free, without father or mother,<br \/>and will choose azure letters for my name.<\/p>\n<p>* * *<\/p>\n<p>here, at smoke level, on the  staircase of the house,<br \/>no time for time.<br \/>like those who rise toward God,<br \/>we forget pain.<\/p>\n<p>*<\/p>\n<p>pain,<br \/>mistress of the house who doesn&#8217;t stretch her washing line in the morning<br \/> satisfied with the cleanliness of this flag.<\/p>\n<p>* * *<\/p>\n<p>no homeric echo here.<br \/>the legends knock on our doors when we need them.<br \/>no homeric echo of anything whatsoever&#8230;<br \/>here, a general is searching for a state that sleeps<br \/>under the rubble of a Troy that is yet to come.<\/p>\n<p>* * *<\/p>\n<p>the soldiers measure the distance between being<br \/>and nothingness<br \/>with the tank&#8217;s gun sight&#8230;<\/p>\n<p>*<\/p>\n<p>we measure the distance between our bodies<br \/>and the shell&#8230; with our sixth sense.<\/p>\n<p>* * *<\/p>\n<p>[to a poet]<br \/>each time absence abandoned you<br \/>you found yourself implicated in the solitude of the gods.<br \/>so be the wandering &#8220;inside&#8221; of your outside<br \/>and &#8220;the outside&#8221; of your inside,<br \/>be present in absence.<\/p>\n<p>* * *<\/p>\n<p>[to poetry]<br \/>besiege your siege.<\/p>\n<p>*<\/p>\n<p>[to prose]<br \/>from the dictionary of the law<br \/>pull your proofs toward a real<br \/> proofs have destroyed<br \/>and explain your dust.<\/p>\n<p>*<\/p>\n<p>[to poetry and prose]<br \/>fly away together<br \/>like the two wings of a swallow carrying blessed spring.<\/p>\n<p>* * *<\/p>\n<p>our cups of coffee. the birds. the green trees<br \/>throwing blue shadows and the sun which junps from one<br \/>wall to the other like a gazelle&#8230;<br \/>the water of the clouds and their infinite shapes<br \/>in what little sky there remains for us<br \/>and other things remembrance of which has been pushed back to later<br \/>show that this morning is strong is splendid<br \/>and that we are the guests of eternity.<\/div>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>It is, I believe, worth reminding us every so often of the scandal the major lack of translations of poetry (&#038; other literary writing) in the US represents. This lack, I have noticed over&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-55","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/55","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/comments?post=55"}],"version-history":[{"count":0,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/55\/revisions"}],"wp:attachment":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/media?parent=55"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/categories?post=55"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/tags?post=55"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}