{"id":45,"date":"2005-07-13T03:35:00","date_gmt":"2005-07-13T11:35:00","guid":{"rendered":"https:\/\/pierrejoris.com\/blog\/?p=45"},"modified":"2005-07-13T03:35:00","modified_gmt":"2005-07-13T11:35:00","slug":"3-poems-by-mohammed-bennis","status":"publish","type":"post","link":"https:\/\/pierrejoris.com\/blog\/3-poems-by-mohammed-bennis\/","title":{"rendered":"3 poems by Mohammed Bennis"},"content":{"rendered":"<p><a href=\"http:\/\/www.fotoflix.com\/users\/pjoris\/foto\/43130\/\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/www.fotoflix.com\/foto?key=4076972264a09778a76b205021366cdd&#038;size=400x300\" border=\"0\" \/><\/a><\/p>\n<p>LIGHTNING<\/p>\n<p>You desert<br \/>be vaster<br \/>let a painful dust<br \/>envelop me<br \/>the migrating dust<br \/>the birds have pushed<br \/>toward the tablet where violence resides<br \/>But now it bursts<br \/>and delivers books<br \/>and dilutes itself<br \/>in all the veins<br \/>Be vaster<br \/>you whose place is<br \/>the perpetuity of rage<br \/>and let the ports<br \/>have done with fear<br \/>Absurdly<br \/>clemency<br \/>comes to help me<br \/>Verticality has prepared me<br \/>for this effacement<br \/>then<br \/>over there<br \/>a scream lights up<br \/>These palm trees make their evening humid and rotten<br \/>My hand<br \/>is threatened<br \/>on the shoulder of steam<\/p>\n<p>* * *<\/p>\n<p>VERIFICATION<\/p>\n<p>This silence belongs to me<br \/>consequently<br \/>to you all my feasts<br \/>and watch out for them<br \/>for in the beginning no gaze<br \/>gets there and no pillar<br \/>to hold it up<br \/>On the narrow earth of those<br \/>who lived<br \/>I saw the apocalypse of my fever<br \/>This silence<br \/>is my ally<br \/>I now have my orbit<br \/>a sun slow<br \/>-ly draws it into its vaults<br \/>then my hands in trance<br \/>repeat it<\/p>\n<p>* * *<\/p>\n<p><a href=\"http:\/\/www.fotoflix.com\/users\/pjoris\/foto\/43131\/\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/www.fotoflix.com\/foto?key=407708b168be382e8d884a93979aca45&amp;size=400x300\" border=\"0\" \/><\/a><\/p>\n<p>OVER THERE<\/p>\n<p>Two hands close by One transparent<br \/>tattoo<br \/>The winds whistle all around<\/p>\n<p>Is this your orbit<br \/>or is it my calligraphies<br \/>come back from song<br \/>and from a certain dust<\/p>\n<p>Thus over there<br \/>Thus<br \/>over there<\/p>\n<p>[Translated by Pierre Joris]<\/p>\n<p>* * *<\/p>\n<p style=\"text-align: justify;\">Mohammed Bennis was born in Fez, Morocco in 1948. He is a major figure of contemporary Moroccan poetry and teaches Arab poetry at the University of Rabat. In 1971 he founded the literary magazine<span style=\"font-style: italic;\"> Attakafa Aljadida<\/span> which was essential in defining an avant-garde &#038; experimental Arab-language poetry in the Maghreb. He is also the co-foiunder of the House of Poetry of Morocco.<\/p>\n<p style=\"text-align: justify;\">His works include:<br \/>Before Speech<br \/>Towards Your Vertical Voice<br \/>Leaf of Splendor<br \/>The River between Two Funerals. <span class=\"on\" style=\"display: block;\" id=\"formatbar_CreateLink\" title=\"Link\" onmouseover=\"ButtonHoverOn(this);\" onmouseout=\"ButtonHoverOff(this);\" onmouseup=\"\" onmousedown=\"CheckFormatting(event);FormatbarButton('richeditorframe', this, 8);ButtonMouseDown(this);\"><\/span><\/p>\n<p>As well as an influential critical thesis entitled <span style=\"font-style: italic;\">Modern Arab Poetry: Structure and Transmutations<\/span>, published in 4 volumes.<\/p>\n<p>His Collected poems came out  in 2002.<\/p>\n<p style=\"text-align: justify;\">Unhappily little has so far been translated into English, (Alison Croggon recently reprinted some work in her on-line magazine <a href=\"http:\/\/au.geocities.com\/masthead_2\/issue7\/bennis.html\">Masthead<\/a> \u2014 work that had first appeared in the London-based magazine <a href=\"http:\/\/www.banipal.co.uk\/\">Banipal<\/a>. And <a href=\"http:\/\/morocco.poetryinternational.org\/cwolk\/view\/20011\">here&#8217;s<\/a>  one further poem translated by James Kirkup) though a French reader can have access to Bennis&#8217; work via <span style=\"font-style: italic;\">Le Don du Vide<\/span>, a collection co-translated by the author and the French popet Bernard No\u00ebl (L&#8217;Escampette, 1999).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>LIGHTNING You desertbe vasterlet a painful dustenvelop methe migrating dustthe birds have pushedtoward the tablet where violence residesBut now it burstsand delivers booksand dilutes itselfin all the veinsBe vasteryou whose place isthe perpetuity of&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-45","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/45","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/comments?post=45"}],"version-history":[{"count":0,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/45\/revisions"}],"wp:attachment":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/media?parent=45"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/categories?post=45"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/tags?post=45"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}