{"id":2147,"date":"2009-10-09T11:17:13","date_gmt":"2009-10-09T15:17:13","guid":{"rendered":"https:\/\/pierrejoris.com\/blog\/?p=2147"},"modified":"2009-10-09T11:17:13","modified_gmt":"2009-10-09T15:17:13","slug":"that-old-new-british-poetry-scene","status":"publish","type":"post","link":"https:\/\/pierrejoris.com\/blog\/that-old-new-british-poetry-scene\/","title":{"rendered":"That Old New British Poetry Scene"},"content":{"rendered":"

\"Mati\u00e8res001\"<\/a><\/p>\n

Came across an interesting piece by Kent Johnson on the new British Poetry scene on the digital emunction<\/a> site \u2014 with the discussion that follows as interesting as what started it. At the same time it gave me a certain sense of d\u00e9j\u00e0-vu, as if the US (& other places too) always-already-again had to (re)discover only to immediately forget the fact that excellent, experimental, avant, post-avant \u2014 or whatever adjectival moniker you like to stick to \u2014 poetry is & has been happening in the UK. Which made me think of a book the English poet, translator and film maker Paul Buck & I put together many years ago \u2014 in 1984, to be exact. A book that was probably the very first anthology of the poetry of those generations that Kent\u2019s newer list are the descendants of,\u00a0going as it does from Bunting to Prynne to Mottram & on to the then younger generation of Griffiths, Fisher, MacSweeney, Sinclair, etc. (See full list of contributors below).<\/p>\n

When we did the book there was no way an English publisher was going to touch it with a ten-foot pole, & as we couldn\u2019t find a US publisher, we prepared from the start a bilingual edition to be published in France where it was scheduled to come out in change sauvage<\/em>, a new series to be edited by Jean-Pierre Faye for Christian Bourgois Editeur. Just as we were ready to send the final ms., Bourgois decided unilaterally (the only way publishers make decisions, me thinks), to stop publishing any poetry under whatever guise. After a few months of flottement<\/em>, as the French are wont to say, Jacques Darras, poet, translator & editor of Trois Cailloux \/ In\u2019hui, offered to publish the book as a Trois Cailloux volume \u2014 which he eventually did, though as an issue of his magazine In\u2019hui (#19, to be exact), not as an independent book, which meant that this 400-page anthology came out without the authors\u2019 names on the book & disappeared a few months later from the shelves when it was replaced by the next issue of the mag magazine.<\/p>\n

I think of that large effort by Buck & myself as a ghost book, a disappeared book \u2014 especially as the anthology was never so much as acknowledged as a forerunner by anthologies covering similar territory years later, such as the new british poetry<\/em> edited by Allnutt, d\u2019Aguiar, Edwards & Mottram in 1988 as a Paladin Original;\u00a0 conductors of chaos<\/em> edited by Iain Sinclair for Picador in 1996; other<\/em>, edited by Richard Caddell and Peter Quartermain for\u00a0 Wesleyan UP in 1999;\u00a0 or Keith Tuma\u2019s 2001\u00a0 Anthology of Twentieth Century British and Irish Poetry<\/em>, Oxford UP, 2001. The only acknowledgment it got in this country was an enthusiastic review by Robert Kelly sometime in the late eighties.<\/p>\n

The introduction is one of the few pieces I wrote in French; an English translation by Peter Cockelbergh should be coming out in a feature on my work in an upcoming issue of Jacket. Meanwhile, here\u2019s the list of poets that appeared in mati\u00e8res d\u2019angleterre<\/em>. (Click on the image & you\u2019ll get a more readable list). If time & the scanner permit, I may post some of the work from the anthology itself in the coming days and weeks.<\/p>\n

<\/a>\"Mati\u00e8resTOC004\"<\/a>\"Mati\u00e8resTOC002\"<\/a>\"Mati\u00e8resTOC003\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Came across an interesting piece by Kent Johnson on the new British Poetry scene on the digital emunction site \u2014 with the discussion that follows as interesting as what started it. At the same...<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,24,64,66,91,93,98,103,1],"tags":[177,513,609,735],"class_list":["post-2147","post","type-post","status-publish","format-standard","hentry","category-book-reviews","category-books","category-literature","category-maghrebi-literature","category-poetry","category-poetry-readings","category-signandsight","category-translation","category-uncategorized","tag-avant-garde","tag-matieres-dangleterre","tag-poetry-anthologies","tag-uk-poetry"],"_links":{"self":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/2147","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/comments?post=2147"}],"version-history":[{"count":0,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/2147\/revisions"}],"wp:attachment":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/media?parent=2147"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/categories?post=2147"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/tags?post=2147"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}