{"id":16805,"date":"2020-05-12T07:47:29","date_gmt":"2020-05-12T11:47:29","guid":{"rendered":"https:\/\/pierrejoris.com\/blog\/?p=16805"},"modified":"2020-05-12T08:23:11","modified_gmt":"2020-05-12T12:23:11","slug":"on-the-50th-anniversary-of-nelly-sachs-passing","status":"publish","type":"post","link":"https:\/\/pierrejoris.com\/blog\/on-the-50th-anniversary-of-nelly-sachs-passing\/","title":{"rendered":"On the 50th Anniversary of Nelly Sachs&#8217; Passing"},"content":{"rendered":"<p style=\"text-align: justify;\">The great Jewish German-Swedish poet &amp; playwright Nelly Sachs passed on this day, 12 May, 1970. Raised in Germany, the rise of nazism in the thirties\u00a0terrified her so much that at one point she lost the ability to speak, as she would remember in verse: &#8220;When the great terror came\/I fell dumb.&#8221;\u00a0In 1940 she escaped with her mother on the last flight from Nazi Germany to Sweden, a week before she was scheduled to report to a concentration camp. \u00a0Sachs became a Swedish citizen in 1952. During the sixties she suffered from many psychic breakdowns, spending time in mental institutions, but she kept writing through all her tribulations.\u00a0She was awarded the Nobel Prize in Literature in 1966. \u00a0Here is my translation of her poem HIOB\/JOB, followed by Paul Celan&#8217;s poem Z\u00fcrich, &#8220;Hotel Zum Storchen,&#8221; the place they met in 1960, and a commentary on that poem.<\/p>\n<p style=\"padding-left: 80px;\">O you windrose of torments!<br \/>\nTorn by urstorms<br \/>\ninto upheaval&#8217;s other &amp; always other directions:<br \/>\nyour South too spells loneliness.<br \/>\nWhere you stand lies the navel of pain.<\/p>\n<p style=\"padding-left: 80px;\">Your eyes have sunk deep into your skull<br \/>\nlike cave doves in the night<br \/>\nwhich the hunter draws out blindly.<br \/>\nYour voice has gone dumb,<br \/>\nhaving too often asked <i>Why<\/i>.<\/p>\n<p style=\"padding-left: 80px;\">Your voice has joined the worms and the fishes.<br \/>\nJob, you have wept through all the vigils<br \/>\nbut some day the constellation of your blood<br \/>\nwill turn all rising suns pallid.<\/p>\n<p style=\"text-align: justify;\">On October 28, 1959 she wrote to her friend Paul Celan: \u201cDear Paul Celan, let us continue to pass truth over to each other. Between Paris and Stockholm runs the meridian of pain and consolation.\u201d This meridian \u2014 the friendship with Sachs &amp; the term \u2018meridian\u2019 \u2014 became core to Celan\u2019s (well)being &amp; work.\u00a0After they met in Z\u00fcrich a year later, Paul celan wrote the following poem to commemorate their meeting:<\/p>\n<p style=\"padding-left: 80px;\">Z\u00dcRICH, HOTEL ZUM STORCHEN<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p style=\"padding-left: 440px;\"><em>for Nelly Sachs<\/em><\/p>\n<p style=\"padding-left: 80px;\">Our talk turned on the Too Much, on the<span class=\"Apple-converted-space\"><br \/>\n<\/span>Too Little.<span class=\"Apple-converted-space\">\u00a0 <\/span>On you<span class=\"Apple-converted-space\"><br \/>\n<\/span>on and-yet-you, on<span class=\"Apple-converted-space\"><br \/>\n<\/span>blurring through brightness, on<span class=\"Apple-converted-space\"><br \/>\n<\/span>Jewishness, on<span class=\"Apple-converted-space\"><br \/>\n<\/span>your God.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p style=\"padding-left: 80px;\">On<span class=\"Apple-converted-space\"><br \/>\n<\/span>that.<span class=\"Apple-converted-space\"><br \/>\n<\/span>On the day of an ascension, the<span class=\"Apple-converted-space\"><br \/>\n<\/span>Minster stood over there, it came<span class=\"Apple-converted-space\"><br \/>\n<\/span>with some gold across the water.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p style=\"padding-left: 80px;\">There was talk of your God, I<span class=\"Apple-converted-space\">\u00a0 <\/span>spoke<span class=\"Apple-converted-space\"><br \/>\n<\/span>against him, I<span class=\"Apple-converted-space\"><br \/>\n<\/span>let the heart I had<span class=\"Apple-converted-space\"><br \/>\n<\/span>hope:<span class=\"Apple-converted-space\"><br \/>\n<\/span>for<span class=\"Apple-converted-space\"><br \/>\n<\/span>his highest, his death-rattled, his<span class=\"Apple-converted-space\"><br \/>\n<\/span>contending word \u2014 <span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p style=\"padding-left: 80px;\">Your eye looked at me, looked away,<span class=\"Apple-converted-space\"><br \/>\n<\/span>your mouth<span class=\"Apple-converted-space\"><br \/>\n<\/span>spoke across to the eye, I heard:<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p style=\"padding-left: 80px;\">We<span class=\"Apple-converted-space\"><br \/>\n<\/span>just don\u2019t know, you know,<span class=\"Apple-converted-space\"><br \/>\n<\/span>we<span class=\"Apple-converted-space\"><br \/>\n<\/span>just don\u2019t know,<span class=\"Apple-converted-space\"><br \/>\n<\/span>what<span class=\"Apple-converted-space\"><br \/>\n<\/span>counts.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">Commentary by Barbara Wiedemann &amp; myself on<i>: Z\u00fcrich, Zum Storchen | Zurich, Hotel Zum Storchen<\/i><\/p>\n<p style=\"text-align: justify;\">Written, Paris, 5. 30. 1960.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\">T Zurich, Hotel Zum Storchen, Dedication, <i>For Nelly Sachs<\/i>, 9 On the day of an ascension] The poem refers to Celan\u2019s first encounter, on 5. 26.1960, Ascension Day, at that hotel in Zurich, with the German-Jewish poet Nelly Sachs who lived in Sweden. A dated &amp; signed ms. copy is kept in Sachs\u2019 literary estate (PC\/Sachs 41-43).<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\">1f. Vom Zuviel war die Rede, |vom Zuwenig || Our talk turned on the Too Much, |on the Too Little] cf. Felstiner\u2019s suggestion that \u201cCelan\u2019s opening sentence gives a nod to Margarete Susman, who lived in Zurich and whose 1946 book of Job and the Fate of the Jewish people says that vis-\u00e0-visa the catasstrophe, \u2018every word is a Too Little and a Too Much.\u2019\u201d (PSJ p.158)<\/p>\n<p style=\"text-align: justify;\">9f. das|M\u00fcnster stand dr\u00fcben || the | minster stood across] From the hotel one sees the Gro\u00dfm\u00fcnster<span class=\"Apple-converted-space\">\u00a0<\/span>on the other shore of the Limmat.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\">10f. es kam|mit einigem Gold \u00fcbers Wasser || it came | with some gold across the water ]<span class=\"Apple-converted-space\">\u00a0 <\/span>Ref. to the Book of Job: \u201cVon Mitternacht kommt Gold, um Gott her ist schrecklicher Glanz\u201d (Job 37.22) The King James version has this as: \u201cFair weather cometh out of the north: with God is terrible majesty, \u201c missing the \u201cgold,\u201d though other English versions have it as \u201cgolden splendor.\u201d See also v. 10 of \u201cNah, im Aortenbogen | Near, in the Aortic Arch,\u201d which reads: \u201cZiv, that light.\u201d In <em>Breathturn into Timestead<\/em> (p. 535) I comment on the mystical meaning of<span class=\"Apple-converted-space\">\u00a0 <\/span>\u201cZiv\u201d &amp; then quote the following letters to Sachs:<span class=\"Apple-converted-space\">\u00a0<\/span>\u201cIt would seem that Celan himself had a mystical light-experience in company of Nelly Sachs, first in Zurich and then in Paris. The following letters from the poet to Nelly Sachs make reference to and would seem to corroborate this experience [PC \/ NS ## 105 &amp; 108]]:<\/p>\n<p style=\"text-align: justify;\">12.8.1967<\/p>\n<p style=\"text-align: justify;\">My dear Nelly,<br \/>\nit was so good to hold your letter in my hands and to be reminded by you yourself of that light that shone over the water in Zurich and then in Paris. Once, in a poem, a name for it even came to me through Hebrew.<br \/>\nAnd with my warmest congratulations upon your birthday!<br \/>\nYour Paul<span class=\"Apple-converted-space\"><br \/>\n*<br \/>\n<\/span>Paris, March 22, 1968.<\/p>\n<p style=\"text-align: justify;\">My dear<span class=\"Apple-converted-space\">\u00a0 <\/span>Nelly,<br \/>\nthank you for your lines, for the reminder of that light.<br \/>\nYes, that light. You will find it named in my next book of poetry, which is to appear in autumn \u2014 called by a Hebrew name.<br \/>\nWarmest!<br \/>\nPaul.<\/p>\n<p style=\"text-align: justify;\"><span class=\"Apple-converted-space\">\u00a0<\/span>22-27 Wir | wissen ja nicht, wei\u00dft du, | wir | wissen ja nicht, | was | gilt || We | just don\u2019t know, you know, | we | just don\u2019t know, | what | counts.\u201d] Cf. PC\u2019s note in his agenda (5. 26. 1960): \u201cHotel Zum Storchen | 4 pm Nelly Sachs, alone. \u2018I am a believer.\u2019\u201d PC wrote to Hermann Kasack on 5. 30. 1960: \u201cMay I tell you what she said to me a few days ago<span class=\"Apple-converted-space\">\u00a0 <\/span>\u2014 we were speaking about her faith<span class=\"Apple-converted-space\">\u00a0 <\/span>\u2014 when I told her about my hope to be able to blaspheme and quarrel to the end? Nelly Sachs nodded and commented: \u2018Wir wissen ja nicht was gilt | We just don\u2019t know what counts\u2026\u2019\u201d (PC\/Sachs 41). In her Meersburger Prize acceptance speech, Sachs said explicitly: \u201cEverything counts. Everything is ferment, that works. And we \u2014smoking from error \u2014 try, well or badly \u2014 we try again and again.\u201d (Works, vol. 4, p. 80).<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/pierrejoris.com\/blog\/on-the-50th-anniversary-of-nelly-sachs-passing\/images-1-2\/\" rel=\"attachment wp-att-16808\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-16808 lazyload\" data-src=\"https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2020\/05\/images-1.jpeg\" alt=\"\" width=\"240\" height=\"210\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 240px; --smush-placeholder-aspect-ratio: 240\/210;\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The great Jewish German-Swedish poet &amp; playwright Nelly Sachs passed on this day, 12 May, 1970. Raised in Germany, the rise of nazism in the thirties\u00a0terrified her so much that at one point she&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":16810,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[91,103],"tags":[2052,1730],"class_list":["post-16805","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poetry","category-translation","tag-nelly-sachs","tag-paul-celan"],"_links":{"self":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/16805","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/comments?post=16805"}],"version-history":[{"count":6,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/16805\/revisions"}],"predecessor-version":[{"id":16815,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/16805\/revisions\/16815"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/media\/16810"}],"wp:attachment":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/media?parent=16805"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/categories?post=16805"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/tags?post=16805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}