{"id":16743,"date":"2020-04-20T06:25:34","date_gmt":"2020-04-20T10:25:34","guid":{"rendered":"https:\/\/pierrejoris.com\/blog\/?p=16743"},"modified":"2020-04-20T07:01:19","modified_gmt":"2020-04-20T11:01:19","slug":"paul-celan-fifty-years-later-tenebrae-5-more","status":"publish","type":"post","link":"https:\/\/pierrejoris.com\/blog\/paul-celan-fifty-years-later-tenebrae-5-more\/","title":{"rendered":"Paul Celan: Fifty Years Later: Tenebrae &#038; 5 More"},"content":{"rendered":"<p style=\"text-align: justify;\">It was exactly 50 years ago, on the night of 19 to 20 April 1970 that Paul Celan left his apartment on\u00a0the avenue Emile Zola, and succumbed to his psychic demons: the Pont Mirabeau (an actual bridge over the Seine that is also a poem by Apollinaire)<span class=\"Apple-converted-space\">\u00a0<\/span>is where he decided to put an end to his life by going into the Seine. His body was found further downstream on 1 May. He was buried in the Thiais cemetery on the outskirts of Paris where his son Fran\u00e7ois already rested and where his wife Gis\u00e8le would join him in December 1991.<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/pierrejoris.com\/blog\/paul-celan-fifty-years-later-tenebrae-5-more\/thiais_cimetiere_juif_tombe_paul_celan\/\" rel=\"attachment wp-att-16772\"><img decoding=\"async\" class=\"aligncenter wp-image-16772 lazyload\" data-src=\"https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2020\/04\/Thiais_cimeti\u00e8re_juif_tombe_Paul_Celan-scaled.jpg\" alt=\"\" width=\"398\" height=\"299\" data-srcset=\"https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2020\/04\/Thiais_cimeti\u00e8re_juif_tombe_Paul_Celan-scaled.jpg 2560w, https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2020\/04\/Thiais_cimeti\u00e8re_juif_tombe_Paul_Celan-300x225.jpg 300w, https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2020\/04\/Thiais_cimeti\u00e8re_juif_tombe_Paul_Celan-1024x768.jpg 1024w\" data-sizes=\"(max-width: 398px) 100vw, 398px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 398px; --smush-placeholder-aspect-ratio: 398\/299;\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">On his desk Paul Celan had left Wilhelm Michael biography of H\u00f6lderlin, <i>Das Leben Friedrich H\u00f6lderlins<\/i> lying open to page 464. He had underlined the following sentence from a letter by Clemens Brentano:<\/p>\n<p style=\"text-align: center;\"><strong>\u201cSometimes this genius goes dark and drowns in the bitter well of his heart.\u201d<\/strong><\/p>\n<p style=\"text-align: justify;\">Here are 6 poems from <em>Sprachgitter | Speech-grille<\/em> (I will post commentaries to the poems tomorrow) from \u00a0<a href=\"https:\/\/us.macmillan.com\/books\/9780374298371\"><em>Paul Celan:<\/em>\u00a0<i>Memory Rose into\u00a0<\/i><i>Threshold\u00a0<\/i><i>Speech.<\/i>\u00a0<i>The Collected Earlier Poetry<\/i><\/a>\u00a0forthcoming from FSG in November, i.e. in time for Celan&#8217;s 100th birthday on November 23. In October, Contra Mundum Press will publish my translation of <em><a href=\"http:\/\/contramundum.net\/2019\/11\/02\/microliths-they-are-little-stones\/\">Paul Celan: Microliths (Posthumous prose)<\/a>.<\/em> These two volumes complete my translation work on Celan&#8217;s oeuvre.<\/p>\n<h4 style=\"padding-left: 120px;\">TENEBRAE<\/h4>\n<h4 style=\"padding-left: 120px;\">We are near, Lord,<br \/>\nnear and graspable.<\/h4>\n<h4 style=\"padding-left: 120px;\">Grasped already, Lord,<br \/>\nclawed into each other, as if<br \/>\neach of our bodies was<br \/>\nyour body, Lord.<\/h4>\n<h4 style=\"padding-left: 120px;\">Pray, Lord,<br \/>\npray to us,<br \/>\nwe are near.<\/h4>\n<h4 style=\"padding-left: 120px;\">Windbent we went there,<br \/>\nwe went there to bend down<br \/>\nover crater and maar.<span class=\"Apple-converted-space\">\u00a0<\/span><\/h4>\n<h4 style=\"padding-left: 120px;\">To the trough we went, Lord.<\/h4>\n<h4 style=\"padding-left: 120px;\">It was blood, it was<br \/>\nwhat you spilled, Lord.<\/h4>\n<h4 style=\"padding-left: 120px;\">It shone.<\/h4>\n<h4 style=\"padding-left: 120px;\">It cast your image into our eyes, Lord.<br \/>\nEyes and mouths gape, so open and empty, Lord.<br \/>\nWe have drunk, Lord.<br \/>\nThe blood and the image that was in the blood, Lord.<\/h4>\n<h4 style=\"padding-left: 120px;\">Pray, Lord.<br \/>\nWe are near.<\/h4>\n<h4 style=\"padding-left: 120px;\"><\/h4>\n<h4 style=\"padding-left: 120px;\">*<\/h4>\n<h4 style=\"padding-left: 120px;\"><\/h4>\n<h4 style=\"padding-left: 120px;\">WHITE AND LIGHT<\/h4>\n<h4 style=\"padding-left: 120px;\">Sickledunes, uncounted.<\/h4>\n<h4 style=\"padding-left: 120px;\">In the windshadow, a thousandfold: you.<br \/>\nYou and the arm,<br \/>\nwith which naked I grew toward you,<br \/>\nlost one.<\/h4>\n<h4 style=\"padding-left: 120px;\">The rays. They blow us into a heap.<br \/>\nWe wear the shine, the pain and the name.<\/h4>\n<h4 style=\"padding-left: 120px;\">White,<br \/>\nwhat moves for us,<br \/>\nweightless,<br \/>\nwhat we barter.<br \/>\nWhite and light:<br \/>\nlet it wander.<\/h4>\n<h4 style=\"padding-left: 120px;\">The distances, moon-close, as we are. They build.<br \/>\nThey build the cliff, where<br \/>\nwhat wanders breaks,<br \/>\nthey keep<br \/>\nbuilding:<br \/>\nwith lightspume and spraying wave.<\/h4>\n<h4 style=\"padding-left: 120px;\">What wanders, signaling from the cliffs.<br \/>\nThe foreheads<br \/>\nit beckons,<br \/>\nthe foreheads that were lent to us,<br \/>\nfor the sake of the mirroring.<\/h4>\n<h4 style=\"padding-left: 120px;\">The foreheads.<br \/>\nWe roll with them over there.<br \/>\nForehead coasts.<\/h4>\n<h4 style=\"padding-left: 120px;\">Are you asleep?<\/h4>\n<h4 style=\"padding-left: 120px;\">Sleep.<\/h4>\n<h4 style=\"padding-left: 120px;\">Seamill turns,<br \/>\nicebright and unheard,<br \/>\nin our eyes.<\/h4>\n<p>&nbsp;<\/p>\n<h4 style=\"padding-left: 120px;\">*<\/h4>\n<h4 style=\"padding-left: 120px;\"><\/h4>\n<h4 style=\"padding-left: 120px;\">SPEECHGRILLE<\/h4>\n<h4 style=\"padding-left: 120px;\">Eyeround between the bars.<\/h4>\n<h4 style=\"padding-left: 120px;\">Flitterbug lid<br \/>\nrows upward,<br \/>\nfrees a gaze.<\/h4>\n<h4 style=\"padding-left: 120px;\">Iris, swimmer, dreamless and dim:<br \/>\nthe heavens, heartgrey, must be near.<\/h4>\n<h4 style=\"padding-left: 120px;\">Slanted, in the iron socket<br \/>\nthe smoldering splinter.<span class=\"Apple-converted-space\"><br \/>\n<\/span>By its light-sense<br \/>\nyou guess the soul.<\/h4>\n<h4 style=\"padding-left: 120px;\">(Were I like you. Were you like me.<br \/>\nDidn\u2019t we stand<br \/>\nunder one trade wind?<br \/>\nWe are strangers.)<\/h4>\n<h4 style=\"padding-left: 120px;\">The flagstone. On them,<br \/>\nclose together, the two<br \/>\nheartgrey pools:<br \/>\ntwo<br \/>\nmouthfuls of silence.<\/h4>\n<h4 style=\"padding-left: 120px;\"><\/h4>\n<h4 style=\"padding-left: 120px;\">*<\/h4>\n<h4 style=\"padding-left: 120px;\"><\/h4>\n<h4 style=\"padding-left: 120px;\">SNOWBED<\/h4>\n<h4 style=\"padding-left: 120px;\">Eyes, worldblind, in the deathcliffs: I come,<span class=\"Apple-converted-space\"><br \/>\n<\/span>hardgrowth in the heart.<br \/>\nI come.<\/h4>\n<h4 style=\"padding-left: 120px;\">Moonmirror rockwall. Downward.<br \/>\n(Breathflecked ligthglow. Blood streaks.<br \/>\nClouding soul, once more near-shapely.<br \/>\nTenfingershadow \u2014 Gripclasped.<\/h4>\n<h4 style=\"padding-left: 120px;\">Eyes worldblind.,<br \/>\neyes in the deathcliffs,<br \/>\neyes, eyes.<\/h4>\n<h4 style=\"padding-left: 120px;\">The snowbed under us both, the snowbed.<br \/>\nCrystal after crystal,<br \/>\nmeshed timedeep, we fall,<br \/>\nwe fall and we lie and we fall.<\/h4>\n<h4 style=\"padding-left: 120px;\">And fall:<br \/>\nWe were. We are.<br \/>\nWe and the night are one flesh.<br \/>\nIn the passageways, the passageways.<\/h4>\n<h4><\/h4>\n<h4 style=\"padding-left: 120px;\">*<\/h4>\n<p>&nbsp;<\/p>\n<h4 style=\"padding-left: 120px;\">MATI\u00c8RE DE BRETAGNE<\/h4>\n<h4 style=\"padding-left: 120px;\">Gorselight, yellow, the slopes<br \/>\npus skyward, the thorn<br \/>\nwoos the wound, in it the bell<br \/>\nrings, it\u2019s evening, the Nothing<br \/>\nrolls its seas in worship,<br \/>\nthe bloodsail heads toward you.<span class=\"Apple-converted-space\">\u00a0<\/span><\/h4>\n<h4 style=\"padding-left: 120px;\">Dry, silted<br \/>\nup, the bed behind you, sedge-<br \/>\nchoked, its hour, above,<br \/>\nnext to the star, the milky<br \/>\ntidal inlets yack in the mud, stone-mussel<br \/>\nbelow, tufted, gapes into the blue, a shrub of<br \/>\ntransience, pretty,<br \/>\ngreets your memory.<\/h4>\n<h4 style=\"padding-left: 120px;\">(Did you know me,<br \/>\nhands? I walked<br \/>\nthe forked path that you showed, my mouth<br \/>\nspit its gravel, I walked, my time,<br \/>\na wandering snow cornice, cast its shadow \u2014 did you know me?)<\/h4>\n<h4 style=\"padding-left: 120px;\">Hands, the thorn-<br \/>\nwooed wound, it rings,<br \/>\nhands, the Nothing, its seas,<br \/>\nhands, in gorselight, the<br \/>\nbloodsail<br \/>\nheads toward you.<\/h4>\n<h4 style=\"padding-left: 120px;\">You<br \/>\nyou teach<br \/>\nyou teach your hands<br \/>\nyou teach your hands you teach<br \/>\nyou teach your hands to<br \/>\nsleep<span class=\"Apple-converted-space\">\u00a0<\/span><\/h4>\n<h4 style=\"padding-left: 120px;\">*<\/h4>\n<h4 style=\"padding-left: 120px;\"><\/h4>\n<h4 style=\"padding-left: 120px;\">RUBBLE SCOW<\/h4>\n<h4 style=\"padding-left: 120px;\">Waterhour, the rubble scow<br \/>\nferries us into evening, we,<br \/>\nlike it, are in no hurry, a dead<br \/>\nWhy stands at the stern.<\/h4>\n<h4 style=\"padding-left: 120px;\">. . . . . . . . . . .<\/h4>\n<h4 style=\"padding-left: 120px;\">Lightened. The lung, the jellyfish<br \/>\nswells into a bell, a brown<br \/>\nsoul-extension reaches<br \/>\nthe bright-breathed No.<\/h4>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/pierrejoris.com\/blog\/paul-celan-fifty-years-later-tenebrae-5-more\/coverpc2-2\/\" rel=\"attachment wp-att-16770\"><img decoding=\"async\" class=\"aligncenter wp-image-16770 lazyload\" data-src=\"https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2020\/04\/CoverPC2.jpg\" alt=\"\" width=\"419\" height=\"628\" data-srcset=\"https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2020\/04\/CoverPC2.jpg 1648w, https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2020\/04\/CoverPC2-200x300.jpg 200w, https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2020\/04\/CoverPC2-683x1024.jpg 683w, https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2020\/04\/CoverPC2-768x1151.jpg 768w, https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2020\/04\/CoverPC2-1025x1536.jpg 1025w, https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2020\/04\/CoverPC2-1366x2048.jpg 1366w\" data-sizes=\"(max-width: 419px) 100vw, 419px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 419px; --smush-placeholder-aspect-ratio: 419\/628;\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">\n","protected":false},"excerpt":{"rendered":"<p>It was exactly 50 years ago, on the night of 19 to 20 April 1970 that Paul Celan left his apartment on\u00a0the avenue Emile Zola, and succumbed to his psychic demons: the Pont Mirabeau&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":16773,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[76,83,91,103],"tags":[],"class_list":["post-16743","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-obituaries","category-paul-celan","category-poetry","category-translation"],"_links":{"self":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/16743","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/comments?post=16743"}],"version-history":[{"count":25,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/16743\/revisions"}],"predecessor-version":[{"id":16783,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/16743\/revisions\/16783"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/media\/16773"}],"wp:attachment":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/media?parent=16743"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/categories?post=16743"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/tags?post=16743"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}