{"id":15383,"date":"2017-06-17T08:15:45","date_gmt":"2017-06-17T12:15:45","guid":{"rendered":"https:\/\/pierrejoris.com\/blog\/?p=15383"},"modified":"2017-06-17T08:15:45","modified_gmt":"2017-06-17T12:15:45","slug":"pierre-guyotat-eden-eden-eden-available-to-order-now","status":"publish","type":"post","link":"https:\/\/pierrejoris.com\/blog\/pierre-guyotat-eden-eden-eden-available-to-order-now\/","title":{"rendered":"Pierre Guyotat Eden, Eden Eden available to order now"},"content":{"rendered":"<div>\n<div style=\"text-align: justify;\"><span class=\"Apple-style-span\"><span style=\"color: #000000;\">Should have posted this 6 weeks ago \u2014 but somehow forgot. Still, any re-edition\/translation of Pierre Guyotat&#8217;s work is worth mentioning&#8230; and reading! He is for me without a doubt THE major experimental writer in France in his generation. If you haven&#8217;t read him,\u00a0here&#8217;s good way in.<\/span><\/span><\/div>\n<blockquote>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\"><b>Subject: <\/b><b>Vauxhall&amp;Company &#8211; Pierre Guyotat Eden, Eden Eden available to order now<\/b><br \/>\n<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\"><b>Reply-To: <\/b>Vauxhall&amp;Company &lt;<a href=\"mailto:art@cabinetltd.demon.co.uk\">art@cabinetltd.demon.co.uk<\/a>&gt;<br \/>\n<\/span><\/div>\n<div>\n<div>\n<p>C A B I N E T<\/p>\n<hr \/>\n<\/div>\n<div><img decoding=\"async\" data-src=\"https:\/\/gallery.mailchimp.com\/53db96e3f8013110ef55dbdb9\/images\/1e351a5c-ef76-45fd-a16b-16f0436f02df.jpg\" alt=\"Pierre Guyotat - Eden, Eden, Eden\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" \/><\/div>\n<div><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">First published in France in 1970, immediately greeted by both furore and acclaim, today\u00a0<em>Eden, Eden, Eden<\/em>\u00a0is recognised as one of the major works of the last century.\u00a0<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">\u00a0<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">This edition is a much-revised translation of the out of print English version originally published in 1995. It also includes new translations of the original prefaces by Michel\u00a0Leiris, Roland Barthes and Philippe\u00a0Sollers, plus a postface by Paul Buck.<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">\u00a0<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">\u00a0<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">&#8220;Brought forth in an egalitarian way, or almost, beings and things are offered here for nothing more than what they are in the strict reality of their physical presence, animated or not: humans, animals, clothes and other utensils thrown in a m\u00eal\u00e9e in a way close to <em>panic<\/em>, that evokes the myth of eden because it obviously has for stage a world without morals or hierarchy, where desire is the rule and nothing can be declared precious or repugnant.<br \/>\nAn implicit poetry that is sometimes replaced by an explicit poetry: those moments when, above the magma only disturbed by the quest for fulfilment led by each protagonist, human words appear, all the more moving for they seem to emerge \u2013 as if by miracle \u2013 from a layer of existence in which all words have been abolished.&#8221;<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">from the preface by Michel Leiris<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">\u00a0<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">\u00a0<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">&#8220;To stretch the powers of one single sentence to the material, divided teeming carried forth through an unrelenting drive. Organic and celestial mechanics, biological, chemical, physical, astronomic. <em>\u201cThe natural science will later subsume the human science as the human science will subsume the natural science: There will be one science\u201d<\/em> (Marx). On the very first page of <em>Eden, Eden, Eden<\/em>, see that inconceivable theatre: flint, thorns, sweat, oil, barley, wheat, brain, flowers, ears of wheat, blood, saliva, excrement&#8230; See the golden space of matters and bodies, endlessly transmutable, rhythmic.&#8221;<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">from the preface by Philippe Sollers<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">\u00a0<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">\u00a0<\/span><\/div>\n<div><a href=\"http:\/\/cabinet.us6.list-manage1.com\/track\/click?u=53db96e3f8013110ef55dbdb9&amp;id=9408869396&amp;e=85ccaee6cf\" target=\"_blank\" rel=\"noopener noreferrer\"><em><span class=\"Apple-style-span\" style=\"color: #000000;\">Eden, Eden, Eden<\/span><\/em><\/a><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">Translated by Graham Fox<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">Published by Vauxhall&amp;Company, 2017<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">Softback, 276pp, 206 x 142 mm<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">Printed on 100gsm Arcoprint Milk &amp; 175gsm Colourplan Laid.<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">ISBN 978-0-9928355-3-8<\/span><\/div>\n<div><strong><span class=\"Apple-style-span\" style=\"color: #000000;\">\u00a320.00 GBP\u00a0<\/span><\/strong><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">\u00a0<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">Originally published under the title<\/span><\/div>\n<div><em><span class=\"Apple-style-span\" style=\"color: #000000;\">\u00c9den, \u00c9den, \u00c9den<\/span><\/em><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">\u00c9ditions Gallimard, 1970<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">Copyright \u00a9 \u00c9ditions Gallimard, 1970<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">This edition\u00a0Copyright \u00a9 Vauxhall&amp;Company 2017<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">Translation copyright \u00a9 Graham Fox, 1995 &amp; 2017\u2028<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">Vauxhall&amp;Company Series Editors Paul Buck &amp; Catherine Petit<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">\u00a0<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">The book can be ordered either from <a href=\"http:\/\/cabinet.us6.list-manage.com\/track\/click?u=53db96e3f8013110ef55dbdb9&amp;id=16d83d3135&amp;e=85ccaee6cf\" target=\"_blank\" rel=\"noopener noreferrer\">our AbeBooks account<\/a> or by emailing <u><a href=\"mailto:art@cabinetltd.demon.co.uk?subject=Pierre%20Guyotat\">art@cabinetltd.demon.co.uk<\/a><\/u><\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">\u00a0<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">\u00a0<\/span><\/div>\n<div><em><span class=\"Apple-style-span\" style=\"color: #000000;\">\u00a0A hand-annotated limited edition by Pierre Guyotat is also available, priced at \u00a3350 GBP. Further details are available on request from Cabinet Gallery (<u><a href=\"mailto:art@cabinetltd.demon.co.uk?subject=Pierre%20Guyotat%20Limited%20Edition\">art@cabinetltd.demon.co.uk<\/a><\/u>).\u00a0<\/span><\/em><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">\u00a0<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">\u00a0<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">\u00a0<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">\u00a0<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">Vauxhall&amp;Company<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">132 Tyers Street<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">Vauxhall Pleasure Gardens<\/span><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\">London SE11 5HS<\/span><\/div>\n<div><a href=\"http:\/\/cabinet.us6.list-manage.com\/track\/click?u=53db96e3f8013110ef55dbdb9&amp;id=76360df2d4&amp;e=85ccaee6cf\"><span class=\"Apple-style-span\" style=\"color: #000000;\">www.cabinet.uk.com<\/span><\/a><\/div>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\"><a href=\"mailto:art@cabinetltd.demon.co.uk\">art@cabinetltd.demon.co.uk<\/a><span class=\"Apple-style-span\">\u00a0<\/span><\/span><\/div>\n<\/div>\n<\/blockquote>\n<blockquote>\n<div><span class=\"Apple-style-span\" style=\"color: #000000;\"><img decoding=\"async\" src=\"http:\/\/cabinet.us6.list-manage.com\/track\/open.php?u=53db96e3f8013110ef55dbdb9&amp;id=30b4092531&amp;e=85ccaee6cf\" width=\"1\" height=\"1\" \/><\/span><\/div>\n<\/blockquote>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Should have posted this 6 weeks ago \u2014 but somehow forgot. Still, any re-edition\/translation of Pierre Guyotat&#8217;s work is worth mentioning&#8230; and reading! He is for me without a doubt THE major experimental writer&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[96,103],"tags":[1933],"class_list":["post-15383","post","type-post","status-publish","format-standard","hentry","category-prose","category-translation","tag-pierre-guyotat"],"_links":{"self":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/15383","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/comments?post=15383"}],"version-history":[{"count":3,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/15383\/revisions"}],"predecessor-version":[{"id":15402,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/15383\/revisions\/15402"}],"wp:attachment":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/media?parent=15383"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/categories?post=15383"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/tags?post=15383"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}