{"id":14492,"date":"2016-08-29T09:00:31","date_gmt":"2016-08-29T13:00:31","guid":{"rendered":"https:\/\/pierrejoris.com\/blog\/?p=14492"},"modified":"2016-08-31T08:36:11","modified_gmt":"2016-08-31T12:36:11","slug":"baalbeck-by-etel-adnan","status":"publish","type":"post","link":"https:\/\/pierrejoris.com\/blog\/baalbeck-by-etel-adnan\/","title":{"rendered":"BAALBECK by Etel Adnan"},"content":{"rendered":"<p class=\"p2\" style=\"text-align: justify;\"><em>It is a pleasure &amp; an honor for <strong>Nomadics<\/strong> blog to publish BAALBECK, a sequence of poems by <strong>Etel Adnan<\/strong> translated by <strong>Sarah Riggs<\/strong> over the next 4 or 5 days. Below, the opening sections of the poem &amp; a note by Etel Adnan concerning the circumstances of the work.<\/em><\/p>\n<div id=\"attachment_14514\" style=\"width: 510px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/pierrejoris.com\/blog\/?attachment_id=14514\" rel=\"attachment wp-att-14514\"><img decoding=\"async\" aria-describedby=\"caption-attachment-14514\" class=\"size-full wp-image-14514 lazyload\" data-src=\"https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2016\/07\/FullSizeRender-e1468304480968.jpg\" alt=\"Etel Adnan &amp; Sarah Riggs by Simone Fattal\" width=\"500\" height=\"666\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 500px; --smush-placeholder-aspect-ratio: 500\/666;\" \/><\/a><p id=\"caption-attachment-14514\" class=\"wp-caption-text\">Etel Adnan &amp; Sarah Riggs by Simone Fattal<\/p><\/div>\n<p class=\"p2\" style=\"text-align: justify;\"><span class=\"s1\">Last year (2015) there was in Aix en Provence and in\u00a0Baalbeck\u00a0itself an event concerning the\u00a0Baalbeck festival of pre-war Lebanon. A few poets were asked to write for the occasion. The roman-era ruins of that place in the Bekaa Valley which is a high plateau of some 1200 meters heighth (more at its Northern end) are extraordinary and I was taken there first when I was 9 years old, and then often, and it made an impression still with me \u00a0(it became the seat of a festival from about 1955 and on until the civil war interrupted it &#8230; it&#8217;s coming back and hopefully will be as remarkable. \u00a0\u2014 Etel Adnan<\/span><\/p>\n<h2 class=\"p2\" style=\"text-align: center;\"><\/h2>\n<h2 class=\"p2\" style=\"text-align: center;\"><strong>B A A L B E C K<\/strong><\/h2>\n<h3 class=\"p2\" style=\"text-align: center;\"><strong>Etel Adnan<\/strong><\/h3>\n<p class=\"p2\" style=\"text-align: right;\"><em>translated by Sarah Riggs with Etel Adnan<\/em><\/p>\n<p class=\"p2\"><span class=\"s1\">1.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">From Orpheus to Mayakovsky<br \/>\n<\/span><span class=\"s1\">the sun turned around<br \/>\n<\/span><span class=\"s1\">my head<br \/>\n<\/span><span class=\"s1\">its mass of gold<br \/>\n<\/span><span class=\"s1\">and of light,<\/span><\/p>\n<p><span class=\"s1\">first divinity<br \/>\n<\/span><span class=\"s1\">to have visited me<br \/>\n<\/span><span class=\"s1\">&#8211; and for sure<br \/>\n<\/span><span class=\"s1\">the last &#8211;<br \/>\n<\/span><span class=\"s1\">for which temples<br \/>\n<\/span><span class=\"s1\">of stone<br \/>\n<\/span><span class=\"s1\">have risen<\/span><\/p>\n<p><span class=\"s1\">It&#8217;s among monoliths<br \/>\n<\/span><span class=\"s1\">and columns<br \/>\n<\/span><span class=\"s1\">that I understood,<br \/>\n<\/span><span class=\"s1\">as a child,<br \/>\n<\/span><span class=\"s1\">that my kingdom would be<br \/>\n<\/span><span class=\"s1\">made of these rocks<br \/>\n<\/span><span class=\"s1\">and of their night. <\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">2.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">A dryness settled<br \/>\n<\/span><span class=\"s1\">my throat,<\/span><\/p>\n<p><span class=\"s1\">I am not going to<br \/>\n<\/span><span class=\"s1\">sing.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">A temple existed for<br \/>\n<\/span><span class=\"s1\">real,<br \/>\n<\/span><span class=\"s1\">its stairs are solid<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">the gods, not willing<br \/>\n<\/span><span class=\"s1\">to leave,<br \/>\n<\/span><span class=\"s1\">danced,<br \/>\n<\/span><span class=\"s1\">then decided to die&#8230; <\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">leaving behind,<br \/>\n<\/span><span class=\"s1\">even if barbaric,<br \/>\n<\/span><span class=\"s1\">a sun which we have<br \/>\n<\/span><span class=\"s1\">loved.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">In the sealed obscurity<br \/>\n<\/span><span class=\"s1\">of the brain<br \/>\n<\/span><span class=\"s1\">plants grow<br \/>\n<\/span><span class=\"s1\">and fish swim,<br \/>\n<\/span><span class=\"s1\">while we believe<span class=\"Apple-converted-space\">\u00a0 <\/span>seeing<br \/>\n<\/span><span class=\"s1\">landscapes, and looking<span class=\"Apple-converted-space\">\u00a0 <\/span>at the<br \/>\n<\/span><span class=\"s1\">sea. <\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">We will not know if<br \/>\n<\/span><span class=\"s1\">life is reversible,<br \/>\n<\/span><span class=\"s1\">but in pain is written<br \/>\n<\/span><span class=\"s1\">a joy which hurts even<br \/>\n<\/span><span class=\"s1\">more, <\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">as in the desertification of hearts<br \/>\n<\/span><span class=\"s1\">memory&#8217;s fingerprint<br \/>\n<\/span><span class=\"s1\">is found. <\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">3.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">Around here<br \/>\n<\/span><span class=\"s1\">rain is made<br \/>\n<\/span><span class=\"s1\">neither<br \/>\n<\/span><span class=\"s1\">of water,<br \/>\n<\/span><span class=\"s1\">nor of angels.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">The fields show<br \/>\n<\/span><span class=\"s1\">the color of<br \/>\n<\/span><span class=\"s1\">blood<\/span><\/p>\n<p class=\"p2\">but the sky is closed<\/p>\n<p class=\"p2\"><span class=\"s1\">the youth<br \/>\n<\/span><span class=\"s1\">of the single blade of<br \/>\n<\/span><span class=\"s1\">grass trying to split<br \/>\n<\/span><span class=\"s1\">this wall<br \/>\n<\/span><span class=\"s1\">keeps vibrations of<br \/>\n<\/span><span class=\"s1\">Orpheus,<br \/>\n<\/span><span class=\"s1\">he, mirror of my<br \/>\n<\/span><span class=\"s1\">soul. <\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">4.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">With bare hands<br \/>\n<\/span><span class=\"s1\">I knocked on mobile<br \/>\n<\/span><span class=\"s1\">forces,<br \/>\n<\/span><span class=\"s1\">arrived at some<br \/>\n<\/span><span class=\"s1\">likenesses of shades,<br \/>\n<\/span><span class=\"s1\">all substance having<br \/>\n<\/span><span class=\"s1\">fled<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">we live<br \/>\n<\/span><span class=\"s1\">in waves<br \/>\n<\/span><span class=\"s1\">and wind<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">Following the gods,<br \/>\n<\/span><span class=\"s1\">we have abandoned<br \/>\n<\/span><span class=\"s1\">an earth<br \/>\n<\/span><span class=\"s1\">heavier<br \/>\n<\/span><span class=\"s1\">than bunches of grapes<br \/>\n<\/span><span class=\"s1\">like we close the<br \/>\n<\/span><span class=\"s1\">eyelids of the dead.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">5<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">The sea is<br \/>\n<\/span><span class=\"s1\">far away,<br \/>\n<\/span><span class=\"s1\">an horizon of<br \/>\n<\/span><span class=\"s1\">fever agitated<br \/>\n<\/span><span class=\"s1\">in its sleep<br \/>\n<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">by the dream of its<br \/>\n<\/span><span class=\"s1\">own splendor. <\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">It&#8217;s not there<br \/>\n<\/span><span class=\"s1\">where I am. <\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">The seasons<br \/>\n<\/span><span class=\"s1\">contemplate the light&#8217;s<br \/>\n<\/span><span class=\"s1\">confusion in the arid<br \/>\n<\/span><span class=\"s1\">zones of our<br \/>\n<\/span><span class=\"s1\">thoughts<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">riddled<br \/>\n<\/span><span class=\"s1\">with bullets.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">On these stretches,<br \/>\n<\/span><span class=\"s1\">the mind holds<br \/>\n<\/span><span class=\"s1\">its breath<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">like a child<br \/>\n<\/span><span class=\"s1\">who has lost his<br \/>\n<\/span><span class=\"s1\">mother.<\/span><\/p>\n<p class=\"p2\"><span class=\"s1\">I&#8217;m going to spend<br \/>\n<\/span><span class=\"s1\">the night stretched on<br \/>\n<\/span><span class=\"s1\">the heat which they<br \/>\n<\/span><span class=\"s1\">have kept.<\/span><\/p>\n<p class=\"p2\">\n","protected":false},"excerpt":{"rendered":"<p>It is a pleasure &amp; an honor for Nomadics blog to publish BAALBECK, a sequence of poems by Etel Adnan translated by Sarah Riggs over the next 4 or 5 days. Below, the opening&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,1442,91,103],"tags":[1488,1863],"class_list":["post-14492","post","type-post","status-publish","format-standard","hentry","category-arab-culture","category-mashreq","category-poetry","category-translation","tag-etel-adnan","tag-sarah-riggs"],"_links":{"self":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/14492","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/comments?post=14492"}],"version-history":[{"count":12,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/14492\/revisions"}],"predecessor-version":[{"id":14890,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/14492\/revisions\/14890"}],"wp:attachment":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/media?parent=14492"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/categories?post=14492"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/tags?post=14492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}