{"id":13974,"date":"2016-01-11T11:07:58","date_gmt":"2016-01-11T15:07:58","guid":{"rendered":"https:\/\/pierrejoris.com\/blog\/?p=13974"},"modified":"2016-01-11T11:07:58","modified_gmt":"2016-01-11T15:07:58","slug":"hyperion-mallarme","status":"publish","type":"post","link":"https:\/\/pierrejoris.com\/blog\/hyperion-mallarme\/","title":{"rendered":"Hyperion Mallarm\u00e9"},"content":{"rendered":"

\"HyperionPix\"<\/a><\/p>\n\n\n\n
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A new issue of Hyperion<\/i>, the first of a two-part issue on Mallarm\u00e9 curated by guest editor Kari Hukkila, was released at the end of last year. It features new texts written expressly for this occasion, as well as the first-ever English translation of Alain Badiou\u2019s Perroquet<\/i> text from 1986, \u201cEst-il exact que toute pens\u00e9e \u00e9met un coup de d\u00e9s?\u201d Badiou reads Mallarm\u00e9\u2019s Coup de d\u00e9s <\/i>as \u201cthe greatest theoretical text that exists on the conditions for thinking the event.\u201d<\/span><\/p>\n

\u00a0<\/span>Featured essayists include: Robert Boncardo, Alain Badiou, Jean-Claude Milner, Liesl Yamaguchi, Jean-Nicolas Illouz, Jean-Francois Puff, Kuisma Korhonen, and Mary Shaw. The issue closes with Claude Mouchard’s dialogic long poems, as harrowing as they are soft-spoken. The second issue is due out in late February or early March.<\/span>\u00a0<\/span><\/p>\n

Access the issue here<\/span><\/a>.<\/span><\/p>\n

All previous issues of Hyperion<\/i> are available on ISSUU.COM<\/span><\/a>. Hyperion<\/i> was founded by Rainer J. Hanshe<\/span><\/a> and Mark Daniel Cohen <\/span><\/a>and is edited by Hanshe & Erika Mih\u00e1lycsa<\/span><\/a> and other guest and contributing editors.<\/p>\n

At the close of the year we also published new translations from German, Turkish, French, and Farsi:<\/span><\/p>\n

Josef Winkler, Graveyard of Bitter Oranges<\/i><\/span><\/a>, tr. by Adrian West<\/span><\/p>\n

Ferit Edg\u00fc, Noone<\/i><\/span><\/a>, tr. by Fulya Peker<\/span><\/p>\n

Jean-Jacques Rousseau, Narcissus<\/i><\/span><\/a>, tr. by Daniel Boden. Afterword by Simon Critchley<\/span><\/p>\n

Ahmad Shamlu, Born Upon the Dark Spear<\/i><\/span><\/a>, tr. by Jason Mohaghegh<\/span><\/p>\n

\u00a0<\/span>Click on the links for free samples of each book. Copies can be ordered thru Indiebound, Amazon, or directly thru Contra Mundum.<\/span>\u00a0<\/span><\/p>\n

If you\u2019ll be in New York City this month, join us at the KGB Bar on January 31 from 7:00\u20139:00 PM for a night of readings with Mary Ann Caws & Nancy Kline (translators, for us, of Luca<\/span><\/a> and Lorand Gaspar<\/span><\/a>), Genese Grill (tr. of Robert Musil<\/span><\/a>), Jason Mohaghegh (tr. of Ahmad Shamlu), & other possible guests.<\/span><\/p>\n

KGB Bar
\n<\/span>85 E. 4<\/span>th<\/sup><\/span> St. (near 2<\/span>nd<\/sup><\/span> Ave)
\n<\/span>NYC<\/span><\/p>\n

\u00a0<\/span>Some titles forthcoming this year include:<\/span><\/p>\n

\u00a0<\/span>A series of six books by Jean-Luc Godard, tr. by Stuart Kendall<\/span><\/p>\n

Otto Dix, Letters<\/i>, Vol. 1, tr. by Mark Kanak<\/span><\/p>\n

Pierre Senges, The Major Refutation<\/i>, tr. by Jacob Siefring<\/span><\/p>\n

Maura Del Serra, Ladder of Oaths<\/i>, tr. by Dominic Siracusa<\/span><\/p>\n

Hugo Ball, Letters<\/i>, tr. by Amy Dusenbury<\/span><\/p>\n

& more!<\/span><\/p>\n

\u00a0<\/span>Donations and subscriptions to the press are always valued and welcome. Visit here<\/span><\/a> for information on how to donate and here<\/span><\/a> for information on subscribing. Subscribers receive publications before they are released to the general public.<\/span><\/p>\n

CONTRA MUNDUM PRESS<\/b><\/span><\/p>\n

Dedicated to the value and the indispensable importance of the<\/i>\u00a0individual voice, to testing the boundaries of thought & experience.<\/i><\/span>\u00a0<\/span><\/p>\n

POETRY | FICTION | DRAMA | PHILOSOPHY | ESSAYS | FILM<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

A new issue of Hyperion, the first of a two-part issue on Mallarm\u00e9 curated by guest editor Kari Hukkila, was released at the end of last year. It features new texts written expressly for...<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1527,1533,55,62,63,858,91,103],"tags":[1801,1528,1800,1799],"class_list":["post-13974","post","type-post","status-publish","format-standard","hentry","category-aesthetics","category-experimental-writing","category-intellectuals","category-language","category-literary-magazines-reviews","category-philosophy","category-poetry","category-translation","tag-alain-badiou","tag-hyperion","tag-kari-hukkila","tag-mallarme"],"_links":{"self":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/13974","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/comments?post=13974"}],"version-history":[{"count":3,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/13974\/revisions"}],"predecessor-version":[{"id":14016,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/13974\/revisions\/14016"}],"wp:attachment":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/media?parent=13974"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/categories?post=13974"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/tags?post=13974"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}