{"id":12789,"date":"2015-02-11T09:56:57","date_gmt":"2015-02-11T13:56:57","guid":{"rendered":"https:\/\/pierrejoris.com\/blog\/?p=12789"},"modified":"2015-02-11T09:56:57","modified_gmt":"2015-02-11T13:56:57","slug":"aldon-nielsen-on-amiri-barakas-sos-poems-1961-2013","status":"publish","type":"post","link":"https:\/\/pierrejoris.com\/blog\/aldon-nielsen-on-amiri-barakas-sos-poems-1961-2013\/","title":{"rendered":"Aldon Nielsen on Amiri Baraka&#8217;s SOS (Poems 1961-2013)"},"content":{"rendered":"<div id=\"main-wrapper\">\n<div id=\"main\" class=\"main section\">\n<div id=\"Blog1\" class=\"widget Blog\">\n<div class=\"blog-posts hfeed\">\n<div class=\"date-outer\">\n<div class=\"date-posts\">\n<div class=\"post-outer\">\n<div class=\"post hentry uncustomized-post-template\">\n<p class=\"post-title entry-title\" style=\"text-align: justify;\">As I put it on Face Book a week or so ago when Aldon Nielsen&#8217;s review of <em>SOS (Poems 1961-2013)<\/em> came out: &#8220;An excellent corrective to the ignorant NYT put-down piece of a week ago. Aldon Nielsen knows exactly what he is speaking of, i.e. knows in detail the incredible width &amp; depth of Amiri Baraka&#8217;s oeuvre \u2014 one of the major literary achievements of the second part of the 20C, not on a purely North American but on a world-wide scale.&#8221; Below the opening paras of the review, &amp; a link to get you to the\u00a0complete piece.<\/p>\n<blockquote>\n<h3 class=\"post-title entry-title\">Save Our Stanzas &#8211; Selecting Amiri Baraka<\/h3>\n<p><em>by Aldon Lynn Nielsen<\/em><\/p>\n<div class=\"post-header\"><\/div>\n<\/blockquote>\n<div id=\"post-body-4435039711502659865\" class=\"post-body entry-content\">\n<blockquote>\n<div class=\"separator\"><img decoding=\"async\" class=\"aligncenter lazyload\" data-src=\"http:\/\/1.bp.blogspot.com\/-Ask46T-8Z_k\/VNZUDjER35I\/AAAAAAAAMK0\/TfCc8VRdN3s\/s1600\/baraka%2Bselected%2B3.jpg\" alt=\"\" width=\"273\" height=\"400\" border=\"0\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 273px; --smush-placeholder-aspect-ratio: 273\/400;\" \/><\/div>\n<p>For many years I have complained loudly and often about the lack of a readily available major gathering of Amiri Baraka&#8217;s poetry. It would be hard to think of another late career poet of his importance\u00a0who was not the subject of a<i>Collected<\/i>\u00a0as well as a <i>Selected<\/i>. (The<i>Complete<\/i> generally awaits the poet&#8217;s demise &#8212; but even then . . .. Recollect that one of Frank O&#8217;Hara&#8217;s friends asked, following the publication of both the<i>Collected<\/i>\u00a0and <i>Poems Retrieved,<\/i>\u00a0whether a <i>Complete<\/i>\u00a0was even a possible thing. Looking at the masses of Baraka&#8217;s work, I have often wondered the same thing.)<\/p>\n<p>Long out of print, the <i>Selected Poetry of Amiri Baraka\/LeRoi Jones<\/i>, published in 1979, was advertised as &#8220;containing those poems which the author most wants to preserve,&#8221; and that has long been the most substantial collection of Baraka&#8217;s verse we had &#8211; 339 pages running from<i>Preface to a Twenty Volume Suicide Note<\/i>\u00a0through to <i>Poetry for the Advanced<\/i>. (This was the only volume in which many of us could find that second collection from Baraka&#8217;s Marxist epoch.) There was no editor named in the book, so one assumes the selections are indeed Baraka&#8217;s own.<\/p>\n<div class=\"separator\"><a href=\"http:\/\/3.bp.blogspot.com\/-GjNS9ofncUo\/VNZUDpou7NI\/AAAAAAAAMK4\/_5V08pBR_ow\/s1600\/baraka%2Bselected%2B2.jpg\"><img decoding=\"async\" class=\"aligncenter lazyload\" data-src=\"http:\/\/3.bp.blogspot.com\/-GjNS9ofncUo\/VNZUDpou7NI\/AAAAAAAAMK4\/_5V08pBR_ow\/s1600\/baraka%2Bselected%2B2.jpg\" alt=\"\" width=\"228\" height=\"320\" border=\"0\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 228px; --smush-placeholder-aspect-ratio: 228\/320;\" \/><\/a><\/div>\n<p>A quarter century on, Marsilio published<i>Transbluesency: Selected Poems 1961-1995,<\/i>\u00a0edited by Paul Vangelisti in consultation with the poet. I loved the cover of that book the minute I saw it, and began reading with the highest hopes, but I was already concerned just picking up the volume. The 1979 <i>Selected<\/i>\u00a0ran to 339 pages; the 1995 <i>Transbluesency<\/i>, taking in decades more work to choose from, was 271 pages long.<\/p><\/blockquote>\n<\/div>\n<blockquote>\n<div class=\"post-body entry-content\">(&#8230;)<\/div>\n<\/blockquote>\n<div class=\"post-body entry-content\">\n<blockquote><p>(ctd <a href=\"http:\/\/heatstrings.blogspot.com\/2015\/02\/save-our-stanzas-selecting-amiri-baraka.html\">here<\/a>)<\/p>\n<div class=\"separator\"><\/div>\n<\/blockquote>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As I put it on Face Book a week or so ago when Aldon Nielsen&#8217;s review of SOS (Poems 1961-2013) came out: &#8220;An excellent corrective to the ignorant NYT put-down piece of a week&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22,90,91,1475],"tags":[1632,147],"class_list":["post-12789","post","type-post","status-publish","format-standard","hentry","category-book-review","category-poetics","category-poetry","category-review","tag-aldon-lynn-nielsen","tag-amiri-baraka"],"_links":{"self":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/12789","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/comments?post=12789"}],"version-history":[{"count":5,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/12789\/revisions"}],"predecessor-version":[{"id":12805,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/12789\/revisions\/12805"}],"wp:attachment":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/media?parent=12789"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/categories?post=12789"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/tags?post=12789"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}