{"id":1237,"date":"2009-04-30T07:32:57","date_gmt":"2009-04-30T11:32:57","guid":{"rendered":"https:\/\/pierrejoris.com\/blog\/?p=1237"},"modified":"2009-04-30T07:32:57","modified_gmt":"2009-04-30T11:32:57","slug":"wish-i-was-there","status":"publish","type":"post","link":"https:\/\/pierrejoris.com\/blog\/wish-i-was-there\/","title":{"rendered":"Wish I was there&#8230;"},"content":{"rendered":"<p style=\"text-align: center;\"><strong>Faculty of English<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>University of Cambridge<\/strong><\/p>\n<p style=\"text-align: center;\"><strong> <\/strong><\/p>\n<p style=\"text-align: center;\"><strong>You are invited to The Judith E Wilson Poetry Lecture<br \/>\nby Charles Bernstein<\/strong><br \/>\na poetry reading \/ performance \/ talk, entitled<br \/>\n<strong>On Election Day (for Emma)<br \/>\n<\/strong>7 May 2009, 5.00 pm<br \/>\nLittle Hall, Sigdwick Site, Sidgwick Avenue [UK]<br \/>\nFree entry. All welcome.<\/p>\n<p style=\"text-align: center;\">\u2014\u2014\u2014\u2014\u2014\u2014\u2014<\/p>\n<p style=\"text-align: center;\">In conjunction with the lecture the following events will be taking<br \/>\nplace in the Judith E Wilson Drama Studio, Faculty of English.<br \/>\nFree entry. All welcome.<br \/>\n<strong><br \/>\nThursday 7 May 2009, 2 -4.00 pm.<br \/>\nThe poetry of Charles Bernstein: talks and discussion<br \/>\n<\/strong>Allen Fisher, &#8216;Readdressing Constructivism and Conceptual Art: aspects<br \/>\nof work factured by Charles Bernstein&#8217;.<br \/>\nDavid Nowell-Smith, &#8216;Slurring the \/ unslurrable ; Satire and Subject in<br \/>\n&#8220;The Lives Of The Toll Takers&#8221;&#8216;.<br \/>\nRedell Olsen, &#8216;Absorbing Dysraphism; strings attached: a reading of<br \/>\nCharles Bernstein&#8217;.<\/p>\n<p style=\"text-align: center;\"><strong>Friday 8 May, 2009<br \/>\nThe Politics of Poetic Form: a symposium<br \/>\nJudith E Wilson Drama Studio, Faculty of English<\/strong><br \/>\n10.am. &#8211; 12.00 noon:<br \/>\nDrew Milne, &#8216;The persistence of poetic forms: from\u00a0 lyric to text&#8217;<br \/>\nIan Patterson, &#8216;Containers, pulses, lentil: Tel Quel, and Veronica\u00a0 Forrest-Thomson&#8217;<br \/>\n12.00:<br \/>\nPoetry readings \/ performances by Allen Fisher &amp; Redell Olsen<br \/>\n2.00-4.00 pm:<br \/>\nPeter Middleton, &#8216;Dynamical Analogies: Charles Olson&#8217;s<br \/>\npoetics of energy&#8217;<br \/>\nDavid Ayers, &#8216;Literature and Revolution: The Politics of the Politics of<br \/>\nPoetic Form.&#8217;<br \/>\n4.00:<br \/>\nCharles Bernstein: Response: The Attack of the Difficult Poems<br \/>\n5.00:<br \/>\nPoetry readings \/ performances by Maggie O&#8217;Sullivan &amp; Tom Raworth<\/p>\n<p style=\"text-align: center;\">All events funded by the Judith E Wilson Fund:<br \/>\nEnquries to: Drew Milne &lt;agm3 &#8212; at &#8212; cam.ac.uk&gt;<\/p>\n<p style=\"text-align: center;\">+++++++++++++++++++++++++++++++<\/p>\n<p style=\"text-align: center;\"><em>Also in the UK<\/em><\/p>\n<p style=\"text-align: center;\"><strong>Geoff Huff<\/strong><br \/>\nFriday May 1<br \/>\n<strong>Ron Silliman <\/strong><strong><a href=\"http:\/\/www.textfestival.com\/\"><br \/>\n<\/a><\/strong>Saturday, May 2, 7:30 PM<br \/>\n<a href=\"http:\/\/www.textfestival.com\/\">The Text Festival<\/a><br \/>\n<a href=\"http:\/\/themet.biz\/bury\/\">The Met Arts Centre<\/a><br \/>\nMarket St, Bury<br \/>\nTuesday, May 5, 7:00 PM<br \/>\nUniversty of Londn, Birkbeck, Room 101<br \/>\n30 Russell Square, London WC1<br \/>\n(reading &amp; conversation)<\/p>\n<p style=\"text-align: center;\">++++++++++++++++++++++++++++<\/p>\n<p style=\"text-align: center;\"><strong>Marjorie Perloff<br \/>\nat Oxford University<br \/>\nWeidenfeld Visiting Professor of European Comparative Literature<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>Unoriginal genius: constraint, concretism, citation<\/strong><\/p>\n<p style=\"text-align: center;\">The lectures will be given in the Tsuzuki Lecture Theatre, except the first lecture (5 May), which will be given in the Mary Ogilvie Lecture Theatre.<\/p>\n<p style=\"text-align: center;\"><em>Tue. 5 May<\/em>: &#8216;Unoriginal genius and d\u00e9j\u00e0 dit: an introduction.&#8217;<br \/>\n<em>Thur. 7 May<\/em>: &#8216;Phantasmagorias of the marketplace: citational poetics in Benjamin&#8217;s Arcades Project.&#8217;<br \/>\n<em>Tue. 12 May<\/em>: &#8216;From avant-garde to digital: the legacy of Brazilian concrete poetry.&#8217;<br \/>\n<em>Thur. 14 May<\/em>: &#8216;Oulipian ideogrammatics: Charles Bernstein&#8217;s Poem Including History.&#8217;<br \/>\n<em>Tue. 19 May<\/em>: &#8216; &#8220;The rattle of statistical traffic&#8221;: citation and found text in Susan Howe&#8217;s The Midnight.&#8217;<br \/>\n<em>Thur. 21 May<\/em>: &#8216;Towards a conceptual poetics: Caroline Bergvall&#8217;s Dante and Chaucer, Craig Dworkin&#8217;s &#8216;Legion&#8217;, Kenneth Goldsmith&#8217;s Traffic.&#8217;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Faculty of English University of Cambridge You are invited to The Judith E Wilson Poetry Lecture by Charles Bernstein a poetry reading \/ performance \/ talk, entitled On Election Day (for Emma) 7 May&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[144,229,288,591,741],"class_list":["post-1237","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-allen-fisher","tag-charles-bernstein","tag-drew-milne","tag-peter-middleton","tag-university-of-cambridge"],"_links":{"self":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/1237","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/comments?post=1237"}],"version-history":[{"count":0,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/1237\/revisions"}],"wp:attachment":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/media?parent=1237"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/categories?post=1237"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/tags?post=1237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}