{"id":10501,"date":"2013-06-10T08:10:09","date_gmt":"2013-06-10T12:10:09","guid":{"rendered":"https:\/\/pierrejoris.com\/blog\/?p=10501"},"modified":"2013-06-09T18:11:26","modified_gmt":"2013-06-09T22:11:26","slug":"meditations-on-the-stations-of-mansur-al-hallaj","status":"publish","type":"post","link":"https:\/\/pierrejoris.com\/blog\/meditations-on-the-stations-of-mansur-al-hallaj\/","title":{"rendered":"Meditations on the Stations of Mansur al-Hallaj&#8230;"},"content":{"rendered":"<p>&#8230;(the complete set) is just out from Chax Press, with a gorgeous cover by Nicole Peyrafitte:<\/p>\n<p><a href=\"https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2013\/06\/al-HallajCover1-e1370815526347.jpg\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-10502 lazyload\" alt=\"al-HallajCover2\" data-src=\"https:\/\/pierrejoris.com\/blog\/wp-content\/uploads\/2013\/06\/al-HallajCover1-e1370815526347.jpg\" width=\"480\" height=\"645\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 480px; --smush-placeholder-aspect-ratio: 480\/645;\" \/><\/a><\/p>\n<blockquote>\n<p style=\"text-align: justify;\">&amp; the following endorsements:<\/p>\n<p style=\"text-align: justify;\">All boundaries between the writing of Pierre Joris and that of Al- Hallaj are abolished with a view to an alliance that is renewed but not in view of an approach that would refuse the freedom of reading and writing. I call it an \u201calliance,\u201d because there is a divide, a rupture in each alliance. The duration of the alliance is, precisely, conditioned by how long the divides and ruptures last. &#8230; Through an extreme economy of words and through the elliptical construction of his verse, Joris joins Al-Hallaj. His poem is a flash of lightning. It is also an art sought out in a vision that crosses time and space to give meaning to a nomad poetics renewing its territory. The poem dares to live face-to-face with the impossible in speaking and writing. Thus does Joris turn Al-Hallaj\u2019s words into his own words, and even sees him as an example returning in a different epoch in another language.<\/p>\n<p style=\"text-align: justify;\">Mohammed Bennis, author of <i>Sab\u2019atou touyour<\/i> (Seven Birds)<\/p>\n<p style=\"text-align: justify;\">Well-versed and well-read in Sufi mysticism, Joris appears throughout these captivating <i>Meditations<\/i> as a nomadizing poet-scholar \u2013 a <i>poeta doctus <\/i>in the classical sense: whether it is the manners, or pockets of the desert, Baghdad bombings, or Hallaj\u2019s set of stations that caught his eye (a <i>poeta vates<\/i>?) and fired up the engine of his writing, Joris \u2013 <i>poeta faber<\/i> \u2013 also always guides us back to the material <i>flux<\/i> of language that constitutes these <i>Meditations<\/i>. Start with the staggering soundscapes of these poems, indeed, <i>begin the beguine<\/i>!<\/p>\n<p style=\"text-align: justify;\">Peter Cockelbergh, editor of <i>Pierre Joris \u2014Cartographies of the In-between<\/i><\/p>\n<\/blockquote>\n<p style=\"text-align: justify;\">You can acquire the book via <a href=\"http:\/\/chax.org\">Chax Press <\/a>directly or via <a href=\"http:\/\/www.spdbooks.org\/\">SPD<\/a> shortly, or by ordering from your favorite bookstore.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8230;(the complete set) is just out from Chax Press, with a gorgeous cover by Nicole Peyrafitte: &amp; the following endorsements: All boundaries between the writing of Pierre Joris and that of Al- Hallaj are&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10501","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/10501","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/comments?post=10501"}],"version-history":[{"count":3,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/10501\/revisions"}],"predecessor-version":[{"id":10505,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/posts\/10501\/revisions\/10505"}],"wp:attachment":[{"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/media?parent=10501"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/categories?post=10501"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pierrejoris.com\/blog\/wp-json\/wp\/v2\/tags?post=10501"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}