The Last Occitan Butcher Stall
The core of the Estivada 2005 in Rodez was the music, but the other arts were also represented — the visual arts in a wonderfully funny & yet disturbing fasion via Claude Merle’s very realistic yet always slightly twisted life-size polyester resin figures & installations he refers to as “Les Voisins,” “The Neighbors.” The butcher stall above was wedged between two actual booths & so it was always an odd little surprise to pass by or to sit with friends at the table just in front of it (& interesting to watch people either realize with a jolt what this was or walk by without noticing anything strange). Here’s a close up of old Bouchard the butcher (there were more flies on the table in front of his stall than anywhere else — even those critters seem to have been fooled by the representation of blood aand dead animal abâts.)
In the bookshop there was another set of hilarious/hideous figures under the satirical banner of “Let’s remain French”:
Poasis II: Selected Poems 2000-2024
“Todesguge/Deathfugue”
“Interglacial Narrows (Poems 1915-2021)”
“Always the Many, Never the One: Conversations In-between, with Florent Toniello”
“Conversations in the Pyrenees”
“A Voice Full of Cities: The Collected Essays of Robert Kelly.” Edited by Pierre Joris & Peter Cockelbergh
“An American Suite” (Poems) —Inpatient Press
“Arabia (not so) Deserta” : Essays on Maghrebi & Mashreqi Writing & Culture
“Barzakh” (Poems 2000-2012)
“Fox-trails, -tales & -trots”
“The Agony of I.B.” — A play. Editions PHI & TNL 2016
“The Book of U / Le livre des cormorans”
“Memory Rose Into Threshold Speech: The Collected Earlier Poetry of Paul Celan”
“Paul Celan, Microliths They Are, Little Stones”
“Paul Celan: Breathturn into Timestead-The Collected Later Poetry.” Translated & with commentary by Pierre Joris. Farrar, Straus & Giroux