Radical geriatric
Below the opening paras of Christopher Schmidt’s review of the play that appeared in the Süddeutsche Zeitung on October 30, 2006. You can read the full review here at signandsight, that ever useful site.
Nicolas Stemann blithely desescrates Elfriede Jelinek’s play “Ulrike Maria Stuart”, at Hamburg’s Thalia Theater. Intelligent septuagenarian RAF schlock horror, says Christopher Schmidt.
Today they’d probably form a rock group rather than a political one, and Andreas Baader, Ulrike Meinhof and Gudrun Ensslin would play death metal rather than live it till their deaths. On the stage of Hamburg’s Thalia Theater, the RAF veterans have reformed as an OAP band. One standing on a tripod, the other on a dolly, the two erstwhile rivals Gundrun and Ulrike wobble towards each other. Physically disintegrating but ideologically in tact, the RAF setptuageneriennes pose with their Andy, who can no longer close his biker jacket round his belly of affluence, Bond girls and their manchild with the golden Colt, fighting more over him than for a new world order. From the bitch fight with poisoned love, a menage sentimentale. You only live twice – as man and as myth.
“Todesguge/Deathfugue”
“Interglacial Narrows (Poems 1915-2021)”
“Always the Many, Never the One: Conversations In-between, with Florent Toniello”
“Conversations in the Pyrenees”
“A Voice Full of Cities: The Collected Essays of Robert Kelly.” Edited by Pierre Joris & Peter Cockelbergh
“An American Suite” (Poems) —Inpatient Press
“Arabia (not so) Deserta” : Essays on Maghrebi & Mashreqi Writing & Culture
“Barzakh” (Poems 2000-2012)
“Fox-trails, -tales & -trots”
“The Agony of I.B.” — A play. Editions PHI & TNL 2016
“The Book of U / Le livre des cormorans”
“Memory Rose Into Threshold Speech: The Collected Earlier Poetry of Paul Celan”
“Paul Celan, Microliths They Are, Little Stones”
“Paul Celan: Breathturn into Timestead-The Collected Later Poetry.” Translated & with commentary by Pierre Joris. Farrar, Straus & Giroux